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Since 2017, she is developing a project of conversations linked to a set of cards drawn by Léo Gobin: Parler la musique, the first chapter, is based on conversations with musicians and lyricists; the second chapter, De l’usage infini de moyens finis and then Converser starts conversations with polyglots and questions languages, in their private and public use.\n\nAs a dramaturg, she was invited to Cliniques Dramaturgiques by Jessie Mill at FTA Montreal in 2018, at 1:1 by Sarah Israel at PAF Berlin in 2019 and 2020, and co-organize les Cliniques Dramaturgiques of Short Theater Festival in Rome with Riccardo Fazi et Jessie Mill in 2020."},"email":null,"links":[{"title":"Discover more about Élise Simonets work","url":"https://elisesimonet.fr/ "}]},{"name":"Leyla-Claire Rabih.","role":"Director, translator and the artistic director of Grenier Neuf","description":{"description":"After studying literature, Leyla-Claire Rabih got trained in directing with Manfred Karge at the Ernst Busch Conservatory of Berlin. 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Within FANTÔME, an artistic structure based in Strasbourg, his research combines live performance, human sciences, literature and visual arts. He is particularly interested in memory, history, and the individual and collective narratives that make them up. He writes and creates pieces for theatre and opera and has already been the recipient of many grants and writing residencies.\n\nAt the same time, he works as a performer, artistic collaborator or dramaturg with directors and choreographers. Since 2018, he has been leading a cycle of research and creation around the notion of haunting, entitled HANTOLOGIE·S, bringing together texts and performances, such as Une Hantologie (2019), Cantique Quantique (2020) and Le renard de l'histoire (2022). 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Since 2017, she is developing a project of conversations linked to a set of cards drawn by Léo Gobin: Parler la musique, the first chapter, is based on conversations with musicians and lyricists; the second chapter, De l’usage infini de moyens finis and then Converser starts conversations with polyglots and questions languages, in their private and public use.\n\nAs a dramaturg, she was invited to Cliniques Dramaturgiques by Jessie Mill at FTA Montreal in 2018, at 1:1 by Sarah Israel at PAF Berlin in 2019 and 2020, and co-organize les Cliniques Dramaturgiques of Short Theater Festival in Rome with Riccardo Fazi et Jessie Mill in 2020."},"email":null,"links":[{"title":"Discover more about Élise Simonets work","url":"https://elisesimonet.fr/ "}]},{"name":"Leyla-Claire Rabih.","role":"Director, translator and the artistic director of Grenier Neuf","description":{"description":"After studying literature, Leyla-Claire Rabih got trained in directing with Manfred Karge at the Ernst Busch Conservatory of Berlin. During ten years, she worked as a director in Germany and alternate between the subsidized German theatre (DT Göttingen, Staatstheater Cottbus) and the independent stage (Sophiensaele, Festival BBI Suisse…), while focusing her work on contemporary repertoire.\n\nIn 2008, she created the Grenier/Neuf company based in Dijon and worked on contemporary writing (Michel Vinaver, Virginie Thirion, Louis Calaferte, Momme Stockmann). She also continued her activities across the Rhine at the Theater Konstanz, the Staatstheater in Saarbrücken and the Stadttheater Heilbronn. She regularly works with the National Theatre for Youth THEATER AN DER PARKAUE in Berlin.\n\nSince 2011, in tandem with the translator Frank Weigand, Leyla-Claire Rabih has been the publishing director of the collection SCÈNE, Neue französische Theaterstücke, which has been proposing each year since 1999 five plays of French-language contemporary authors translated into German.\n\nSince 2013, she has been working around Syria. 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Within FANTÔME, an artistic structure based in Strasbourg, his research combines live performance, human sciences, literature and visual arts. He is particularly interested in memory, history, and the individual and collective narratives that make them up. He writes and creates pieces for theatre and opera and has already been the recipient of many grants and writing residencies.\n\nAt the same time, he works as a performer, artistic collaborator or dramaturg with directors and choreographers. Since 2018, he has been leading a cycle of research and creation around the notion of haunting, entitled HANTOLOGIE·S, bringing together texts and performances, such as Une Hantologie (2019), Cantique Quantique (2020) and Le renard de l'histoire (2022). "},"email":null,"links":[{"title":"Discover more about Antoine Cegarras work","url":"http://antoinecegarra.com/ "}]},{"name":"Élise Simonet.","role":"Director, dramaturge and artistic collaborator","description":{"description":"Following training in directing and scenography in Bordeaux, Élise Simonet works today alongside numerous artists in the domain of performing arts, whether as dramaturg or artistic collaborator. As a member of the group l’Encyclopédie de la parole, of which she has been associated since 2013, her research touches orality and documentary recordings of speech within live art. She is the artistic collaborator of Joris Lacoste on the Suites Chorales cycle and co-signs Jukebox.\n\nIn 2015 and 2016 she co-programmed the TJCC festival alongside Joris Lacoste at the Théâtre de Gennevilliers. In 2012 she created Mon cauchemar, an auditory and visual piece departing from a collection of confounding dreams. Since 2017, she is developing a project of conversations linked to a set of cards drawn by Léo Gobin: Parler la musique, the first chapter, is based on conversations with musicians and lyricists; the second chapter, De l’usage infini de moyens finis and then Converser starts conversations with polyglots and questions languages, in their private and public use.\n\nAs a dramaturg, she was invited to Cliniques Dramaturgiques by Jessie Mill at FTA Montreal in 2018, at 1:1 by Sarah Israel at PAF Berlin in 2019 and 2020, and co-organize les Cliniques Dramaturgiques of Short Theater Festival in Rome with Riccardo Fazi et Jessie Mill in 2020."},"email":null,"links":[{"title":"Discover more about Élise Simonets work","url":"https://elisesimonet.fr/ "}]},{"name":"Leyla-Claire Rabih.","role":"Director, translator and the artistic director of Grenier Neuf","description":{"description":"After studying literature, Leyla-Claire Rabih got trained in directing with Manfred Karge at the Ernst Busch Conservatory of Berlin. During ten years, she worked as a director in Germany and alternate between the subsidized German theatre (DT Göttingen, Staatstheater Cottbus) and the independent stage (Sophiensaele, Festival BBI Suisse…), while focusing her work on contemporary repertoire.\n\nIn 2008, she created the Grenier/Neuf company based in Dijon and worked on contemporary writing (Michel Vinaver, Virginie Thirion, Louis Calaferte, Momme Stockmann). She also continued her activities across the Rhine at the Theater Konstanz, the Staatstheater in Saarbrücken and the Stadttheater Heilbronn. She regularly works with the National Theatre for Youth THEATER AN DER PARKAUE in Berlin.\n\nSince 2011, in tandem with the translator Frank Weigand, Leyla-Claire Rabih has been the publishing director of the collection SCÈNE, Neue französische Theaterstücke, which has been proposing each year since 1999 five plays of French-language contemporary authors translated into German.\n\nSince 2013, she has been working around Syria. In 2011 first, with Lettres syriennes/Lettres d'exil at the Domaine d'Ô in Montpellier, then with the creation of Chroniques d'une révolution orpheline in 2017 based on texts of Mohammad Al Attar.\n\nIn 2018, she laureated of the French Institute’s program “Customized Residency” and spent time in Beirut researching for her project “TRAVERSES” about recent migrations that change individual and collective identities, which will be created in 2021."},"email":null,"links":[{"title":"Discover more about the work of Grenier Neuf","url":"http://grenierneuf.org/compagnie/leyla-rabih "}]}]}},{"id":"fa8e76c7-617c-5859-9ea2-959feaf331eb","createdAt":"2021-02-18T14:49:24.054Z","updatedAt":"2021-04-29T15:37:53.402Z","title":"ARK Strasbourg","description":{"description":"In Strasbourg, ‘European capital’, international and cross-border city, artists and inhabitants will explore what it is to be ‘foreign’ and to experience being a foreigner in completely different sets of circumstances."},"body":{"json":{"nodeType":"document","data":{},"content":[{"nodeType":"embedded-asset-block","content":[],"data":{"target":{"metadata":{"tags":[]},"sys":{"space":{"sys":{"type":"Link","linkType":"Space","id":"c6z5awadxgukl","contentful_id":"6z5awadxgukl"}},"id":"c21OPn0JQnpEXMhtWFzQHBT","type":"Asset","createdAt":"2021-02-18T14:31:42.768Z","updatedAt":"2021-02-18T14:31:42.768Z","environment":{"sys":{"id":"master","type":"Link","linkType":"Environment","contentful_id":"master"}},"revision":1,"contentful_id":"21OPn0JQnpEXMhtWFzQHBT"},"fields":{"title":{"en-US":"ARK Strasbourg"},"file":{"en-US":{"url":"/images/6z5awadxgukl/21OPn0JQnpEXMhtWFzQHBT/d7315db1300a0e9b153f6d4237976280/IMG_3246.JPG","details":{"size":3403526,"image":{"width":4032,"height":3024}},"fileName":"IMG_3246.JPG","contentType":"image/jpeg"}}}}}},{"nodeType":"paragraph","content":[{"nodeType":"text","value":"To build an ark, a safe heaven, a meeting place. To draw a bow, as two distinct poles between which energy flows. In the Quarantine company's project, the ark is a place where relationships can be thought about and debated in imaginative new ways. \n\nBut the Ark, as a myth, also raises the questions of what it is to belong and where the lines of fracture are: Who is allowed in? How is this common area to be shared?","marks":[],"data":{}}],"data":{}},{"nodeType":"paragraph","content":[{"nodeType":"text","value":"In Strasbourg, ‘European capital’, international and cross-border city, artists and inhabitants will explore what it is to be ‘foreign’ and to experience being a foreigner in completely different sets of circumstances.","marks":[],"data":{}}],"data":{}},{"nodeType":"paragraph","content":[{"nodeType":"text","value":"The project is carried out with members of the civil society, inhabitants, students and newcomers among others as well as with artists Élise Simonet, Leyla-Claire Rabih, Antoine Cegarra and Mathilde Mertz. Working closely with the Maillon team and in partnership with the British collective Quarantine, they will send out all kinds of invitations to meet, to get to know one another better and to connect to each other. ","marks":[],"data":{}}],"data":{}},{"nodeType":"heading-2","content":[{"nodeType":"text","value":"A theatre transformed into an Ark ","marks":[],"data":{}}],"data":{}},{"nodeType":"paragraph","content":[{"nodeType":"text","value":"On 16, 17 and 18 July 2021, Maillon's largest hall will be turned into an ephemeral and modular installation. Together with a group of students from the HEAR's scenography workshop, Leyla-Claire Rabih, Élise Simonet and Antoine Cegarra will create an arch that will host different artistic propositions.\nThis composite living space will be a blend of a construction workshop, an alternative classroom, an agora, a cave and a burrow. There will be rest areas, a shared library, quiet corners for reading and conversation, and large tables for group discussions or lunch. During these three open days, the ark will be accessible to all at any time and will offer practice workshops, performances and meeting opportunities to all. \nAs Quarantine put it, it is about a place where strangers and people who think of themselves or are socially defined as foreigners can have a conversation, where the exchange of knowledge and ideas can take place and different cultural habits be apprehended. A place in which lives can be lived intensely and where common grounds as well as antagonisms will be addressed in order to find new ways to inhabit a common space together. It is with the residents of Strasbourg that the teams want to build and inhabit this Ark. From February 2021, a series of meetings and workshops will be held because ","marks":[],"data":{}},{"nodeType":"text","value":"ARK","marks":[{"type":"italic"}],"data":{}},{"nodeType":"text","value":" is, first of all, a long term process carried out together with numerous structures in the social, associative and educational fields. During this period of time, all those involved will invent this Ark collectively for it to become a true experience factory and contribute to unfolding the imaginations, and bring forward the questions, hopes and desires of the participating inhabitants. ","marks":[],"data":{}}],"data":{}},{"nodeType":"heading-2","content":[{"nodeType":"text","value":"The ark’s walks","marks":[],"data":{}}],"data":{}},{"nodeType":"paragraph","content":[{"nodeType":"text","value":"Leyla-Claire Rabih offers theatre workshops focusing on how the town is inhabited, on the notion of borders within the city and how to make stories out of the different ways the city is experienced. More specifically, the ways in which the district around the Maillon as well as the city of Strasbourg as a whole are perceived and experienced by the participants will be gathered and shaped in the form of stories. \nThese workshops will not aim at putting up a show but will take the public along for walks during the ARK open days in July. It will be like going for subjective guided tours focusing on the question: ‘What is the city I live in?’\nWhat is the real town? Is it an imaginary town? To whom does Strasbourg belong? Who are its inhabitants? Who makes the town? To explore those questions, we will start from the Wacken district: Who lives here? Who works here? Who goes across it? For whom is it a safe heaven? Who flees it? Based on these questions, subjective itineraries will be established, each highlighting how it is connected with the sites located on its route. The participants will also become guides themselves. They will show members of the audience what they experienced by leading 30-minute walks through the city. Guiding one or two\npeople along a defined route, the walks will give way to the individual stories previously worked on in the workshop. ","marks":[],"data":{}}],"data":{}},{"nodeType":"heading-2","content":[{"nodeType":"text","value":"The assembly of knowledge","marks":[],"data":{}}],"data":{}},{"nodeType":"paragraph","content":[{"nodeType":"text","value":"Throughout our lives, whether in our studies, jobs or leisure time, but also in our relationships with our partners, families and friends, we accumulate experience that form a vast network of knowledge that we then reuse without always being aware of how rich and valuable it is. \nOften this knowledge is not recognised as such because it does not seem immediately useful or productive although it is routinely used as guidelines. Such knowledge may include the skills needed to raising children alone, knowing the names of all the edible and poisonous plants in the Robertsau forest (a district in Strasbourg), the names of all the streets and squares of Strasbourg, the ability of being a good listener and that of empathysing. \nWith L'Assemblée des savoirs, Antoine Cegarra proposes a collective workshop that aims at discovering and sharing this buried knowledge through writing, plays, dancing and singing. This knowledge will then be displayed and shared during the ARK open days mid-July at the theatre. ","marks":[],"data":{}}],"data":{}},{"nodeType":"heading-2","content":[{"nodeType":"text","value":"Conversation","marks":[],"data":{}}],"data":{}},{"nodeType":"paragraph","content":[{"nodeType":"text","value":"This workshop offers one-to-one sessions to think aloud and observe the process by which ideas and images are produced thanks to language. Élise Simonet meets bilingual and polyglot people, language learners and mixed-language couples to study both the private and public uses of languages. Already carried out in multilingual setups in the cities of Brussels and Freiburg, the Strasbourg version of this project offers new grounds to carry on exploring this subject matter. What is a mother tongue? Can it be twisted? How can a language become hospitable? Can a language be lost? The conversations are guided by a series of cartoon cards designed by the HEAR students. New words, questions, drawings, quotations and past conversations are constantly added to the pack. This infinite pack of cards will keep track of past encounters and thoughts the players came up with. During the Ark open days, members of the public will in turn be able to experience that process at play with the help of the cards and some booklets.","marks":[],"data":{}}],"data":{}},{"nodeType":"heading-2","content":[{"nodeType":"text","value":"The ark’s choir","marks":[],"data":{}}],"data":{}},{"nodeType":"paragraph","content":[{"nodeType":"text","value":"A choir for which there is no need for singing experience or musical notation knowledge; an adventure that will be more a matter of vocal experimentation than of exploring a specific repertoire. Here, singing will be the starting point of a singular collective experience with a play on chords, of unison, by testing the resonance of different spaces, by discovering the different tonalities, the placement of voices and the sounds of different\nlanguages. This workshop, led by the singer and choir director Mathilde Mertz, will also be an opportunity to put the authority, tone and words of official statements into perspective and to open up, thanks to singing, to other modes of expression, attention and sensitivity.","marks":[],"data":{}}],"data":{}}]}},"institution":{"id":"a4a29aad-5158-5840-b3b8-70287b4c7aef","title":"Maillon, Theatre of Strasbourg – European Stage ","city":"Strasbourg","slug":"strasbourg","description":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"The Maillon is a multidisciplinary and international hosting theatre focusing on contemporary and hybrid forms at the crossroad of theatre, contemporary dance, circus and music, as well as visual arts and site-specific performances. 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Within FANTÔME, an artistic structure based in Strasbourg, his research combines live performance, human sciences, literature and visual arts. He is particularly interested in memory, history, and the individual and collective narratives that make them up. He writes and creates pieces for theatre and opera and has already been the recipient of many grants and writing residencies.\n\nAt the same time, he works as a performer, artistic collaborator or dramaturg with directors and choreographers. Since 2018, he has been leading a cycle of research and creation around the notion of haunting, entitled HANTOLOGIE·S, bringing together texts and performances, such as Une Hantologie (2019), Cantique Quantique (2020) and Le renard de l'histoire (2022). "},"email":null,"links":[{"title":"Discover more about Antoine Cegarras work","url":"http://antoinecegarra.com/ "}]},{"name":"Élise Simonet.","role":"Director, dramaturge and artistic collaborator","description":{"description":"Following training in directing and scenography in Bordeaux, Élise Simonet works today alongside numerous artists in the domain of performing arts, whether as dramaturg or artistic collaborator. As a member of the group l’Encyclopédie de la parole, of which she has been associated since 2013, her research touches orality and documentary recordings of speech within live art. She is the artistic collaborator of Joris Lacoste on the Suites Chorales cycle and co-signs Jukebox.\n\nIn 2015 and 2016 she co-programmed the TJCC festival alongside Joris Lacoste at the Théâtre de Gennevilliers. In 2012 she created Mon cauchemar, an auditory and visual piece departing from a collection of confounding dreams. Since 2017, she is developing a project of conversations linked to a set of cards drawn by Léo Gobin: Parler la musique, the first chapter, is based on conversations with musicians and lyricists; the second chapter, De l’usage infini de moyens finis and then Converser starts conversations with polyglots and questions languages, in their private and public use.\n\nAs a dramaturg, she was invited to Cliniques Dramaturgiques by Jessie Mill at FTA Montreal in 2018, at 1:1 by Sarah Israel at PAF Berlin in 2019 and 2020, and co-organize les Cliniques Dramaturgiques of Short Theater Festival in Rome with Riccardo Fazi et Jessie Mill in 2020."},"email":null,"links":[{"title":"Discover more about Élise Simonets work","url":"https://elisesimonet.fr/ "}]},{"name":"Leyla-Claire Rabih.","role":"Director, translator and the artistic director of Grenier Neuf","description":{"description":"After studying literature, Leyla-Claire Rabih got trained in directing with Manfred Karge at the Ernst Busch Conservatory of Berlin. During ten years, she worked as a director in Germany and alternate between the subsidized German theatre (DT Göttingen, Staatstheater Cottbus) and the independent stage (Sophiensaele, Festival BBI Suisse…), while focusing her work on contemporary repertoire.\n\nIn 2008, she created the Grenier/Neuf company based in Dijon and worked on contemporary writing (Michel Vinaver, Virginie Thirion, Louis Calaferte, Momme Stockmann). She also continued her activities across the Rhine at the Theater Konstanz, the Staatstheater in Saarbrücken and the Stadttheater Heilbronn. She regularly works with the National Theatre for Youth THEATER AN DER PARKAUE in Berlin.\n\nSince 2011, in tandem with the translator Frank Weigand, Leyla-Claire Rabih has been the publishing director of the collection SCÈNE, Neue französische Theaterstücke, which has been proposing each year since 1999 five plays of French-language contemporary authors translated into German.\n\nSince 2013, she has been working around Syria. In 2011 first, with Lettres syriennes/Lettres d'exil at the Domaine d'Ô in Montpellier, then with the creation of Chroniques d'une révolution orpheline in 2017 based on texts of Mohammad Al Attar.\n\nIn 2018, she laureated of the French Institute’s program “Customized Residency” and spent time in Beirut researching for her project “TRAVERSES” about recent migrations that change individual and collective identities, which will be created in 2021."},"email":null,"links":[{"title":"Discover more about the work of Grenier Neuf","url":"http://grenierneuf.org/compagnie/leyla-rabih "}]}]}}]},"allContentfulPostImage":{"nodes":[]},"allContentfulPostLink":{"nodes":[]},"allContentfulPostText":{"nodes":[]}},"pageContext":{"institutionId":"a4a29aad-5158-5840-b3b8-70287b4c7aef"}}}