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In the 1930s, the building was used as Police school and SS barracks, it was later a Soviet barrack and military hospital. The 1990s saw the houses revival through art. ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Today, HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre, media art and visual arts. HELLERAU offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally.\r", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "The residency apartments are as unique as opportunities for artistic research, production and encounters. Dresden, with its geography at the borders of Poland and the Czech Republic as well as by its history within Germany, occupies an important East-Western hub. 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"/images/818239o4u2km/25qNd2cNiW7fcIjXWcGaly/5d98988700d12739b038710dcd2b37fa/festspielhaus-2019_prohlis-paradies_stephan-floss-2_Kopie.jpg?w=600&h=404&q=90&fm=webp 600w,\n/images/818239o4u2km/25qNd2cNiW7fcIjXWcGaly/5d98988700d12739b038710dcd2b37fa/festspielhaus-2019_prohlis-paradies_stephan-floss-2_Kopie.jpg?w=1200&h=808&q=90&fm=webp 1200w,\n/images/818239o4u2km/25qNd2cNiW7fcIjXWcGaly/5d98988700d12739b038710dcd2b37fa/festspielhaus-2019_prohlis-paradies_stephan-floss-2_Kopie.jpg?w=1700&h=1144&q=90&fm=webp 1700w", "sizes": "(max-width: 2400px) 100vw, 2400px" } }, "links": [{ "title": "Discover more about HELLERAU", "url": "https://www.hellerau.org/en/" }], "people": [{ "name": "Katja Heiser", "role": "Theatre pedagogue and director ", "description": { "description": "Katja Heiser studied cultural science at University Hildesheim and Hogeschool voor de Kunsten Utrecht and has been living in Dresden since 1998. In her work as a director, dramaturg, writer and theatre teacher she focuses on productions in intercultural contexts, community theatre in neighborhoods of Dresden, classroom plays and productions with non-professional performers. She is regularly cooperating with the Bürgerbühne at Staatsschauspiel Dresden. Between 2010 and 2013 she was artistic director of the „European Youth Forum“, a project of the European Theatre Convention (ETC) and Festspiele Bad Hersfeld. From 2010 to 2018 she worked as a jury member for a theatre festival of youth productions throughout Germany. Since 2018 she is the coordinator of “Come As You Are” – an intercultural project of refugee and non-refugee musicians going into Saxon schools." }, "email": null, "links": [{ "title": "Katja Heiser is member of ‚missingdots‘ - performance-company", "url": "https://missingdots.de/" }] }, { "name": "Mustafa Ahaikh Hasan (Safy)", "role": "Architect and Public Interventions", "description": { "description": "Mustafa Ahaikh Hasan studied architecture at the University of Aleppo, at the École Nationale Supérieure d'Architecture de Strasbourg (ENSAS) and at the Technical University in Dresden. He moved to Dresden in 2015 and has since been involved in several art projects during his studies, e.g. for the Deutsches Hygiene-Museum Dresden (exhibition \"Racism. The Invention of Human Races\"), the contemporary art gallery Kunsthaus Dresden, HELLERAU Festival Theatre and the museum Hamburger Bahnhof in Berlin, amongst others together with the artist Raul Walch. Since August 2019 he has been working for the architect office HF Architektur in Dresden." }, "email": null, "links": null }, { "name": "Svea Duwe", "role": "Visual Artist", "description": { "description": "Svea Duwe is a visual artist based in Dresden. Her artistic focus is on installations, performative video works, stagings and sculptural movements in public spaces, creating photographs, drawings, sculptures, and costumes in the process. Svea Duwe studied sculpture at the Alanus University of Arts and Social Sciences in Alfter/Bonn and Fine Arts at the Dresden University of Fine Arts and the Statens Kunst Akademi Oslo. From 2013-2020 she worked as a lecturer for Sculpture-Object-Space and Conceptual and Contextual Artistic Practice in the Department of Art Education at TU-Dresden (Technical University Dresden).\n\nSvea Duwe works as a visual artist in various stage productions, e.g. by missingdots, Bürgerbühne Dresden, farbwerk e.V. or Societaetstheater. Svea Duwe is interested in the ambivalent aspects of our life in „the age of uncertainty“ (Tony Judt). With this thematic focus, she creates artistic works that create new relationships between space, material, movement and viewer." }, "email": null, "links": [{ "title": "Discover more about Svea Duwes work.", "url": "https://sveaduwe.de/" }] }] }, "allContentfulPostArticle": { "nodes": [{ "id": "2f97dbab-0053-5ef8-a2ae-57c0dbde18eb", "createdAt": "2022-06-13T11:26:56.584Z", "updatedAt": "2022-06-13T11:26:56.584Z", "title": "Four days of exchange at the Elbe", "description": { "description": "We are very happy about those four days, each different, full of community-life and artistic formats. The ARK became a place for meeting, exchanging, discussing, celebrating and was joined by a lot of very diverse people." }, "body": { "json": { "nodeType": "document", "data": {}, "content": [ { "nodeType": "heading-1", "data": {}, "content": [{ "nodeType": "text", "value": "1st day ", "marks": [], "data": {} }] }, { "nodeType": "heading-2", "data": {}, "content": [{ "nodeType": "text", "value": "09.07.2021 – Sculptural movement I Banda Comunale I storm", "marks": [], "data": {} }] }, { "nodeType": "paragraph", "data": {}, "content": [{ "nodeType": "text", "value": "Opening on Friday with a choreography on both river-banks: Marching Band ‘Banda Comunale’ meets Sculptural movement ‘Stromlinien’: Red and white signs carried as a border transform into an installation of a wave of texts on the festival place, underneath the band playing on the \"command-bridge\". The happening is framed by ‘Waving Signals’ – a cosmopolitan flag-choreography by Raul Walch.", "marks": [], "data": {} }] }, { "nodeType": "paragraph", "data": {}, "content": [{ "nodeType": "text", "value": "The weather-forecast predicts strong gusts for the night, so we have to collapse the tent for the night.", "marks": [], "data": {} }] }, { "nodeType": "heading-1", "data": {}, "content": [{ "nodeType": "text", "value": "2nd day", "marks": [], "data": {} }] }, { "nodeType": "heading-2", "data": {}, "content": [{ "nodeType": "text", "value": "10.07.2021 – Underrated knowledge & experience performed and saved on the ferry-boat I sun", "marks": [], "data": {} }] }, { "nodeType": "paragraph", "data": {}, "content": [{ "nodeType": "text", "value": "“I was a maths teacher in Syria.\nHere, it's not possible for me to work as a teacher, \nit's just a problem with the language. \nI have already done A2, B1 and B2 in German. I started C1 \nthree times. The first time I dropped out because my father had died, the second time I had a slipped disc, and the third time Corona came and the course was cancelled.\nAn online course C1 is not possible for me, we have bad internet, and then all three children are at home at the moment, two of them share the computer and do homeschooling themselves.\nBut I really loved working as a maths teacher.”", "marks": [], "data": {} }] }, { "nodeType": "paragraph", "data": {}, "content": [{ "nodeType": "text", "value": "(Housam: Teaching and learning)", "marks": [], "data": {} }] }, { "nodeType": "paragraph", "data": {}, "content": [{ "nodeType": "text", "value": "On Saturday (and Sunday) our collection of underrated or lost knowledge and experience, as visualized on the signs, is being performed on the ferry-boat Johanna. Framed by the Vocal Trio “La Vache Qui Rit”. After each crossing the passengers are invited to follow the piece of saved knowledge to the ‘Isles of underrated knowledge’ to discuss subjects such as mother tongue, writing postcards, lost memories, teaching and learning, unplanned time and many more.", "marks": [], "data": {} }] }, { "nodeType": "paragraph", "data": {}, "content": [{ "nodeType": "text", "value": "There is also the ‘Isle of the European Questions’ with 7 logbooks containing our 7 basic questions.", "marks": [], "data": {} }] }, { "nodeType": "paragraph", "data": {}, "content": [{ "nodeType": "text", "value": "Sunny evening sitting around the campfire with guitar and songs.", "marks": [], "data": {} }] }, { "nodeType": "heading-1", "data": {}, "content": [{ "nodeType": "text", "value": "3rd day", "marks": [], "data": {} }] }, { "nodeType": "heading-2", "data": {}, "content": [{ "nodeType": "text", "value": "11.07.2021 – Flags I clothes I comic I urban planning I podcast I rain & flood", "marks": [], "data": {} }] }, { "nodeType": "paragraph", "data": {}, "content": [{ "nodeType": "text", "value": "On Sunday (and already Saturday) there are many different artists and participative offers at the place: Raul Walch sews and waves his flags with everyone, Josef Panda discusses the meaning of special pieces of clothing, draws the stories on clothes again and presents them in a rainy catwalk in the evening, Nazanin Zandi helps couples of two who do not know each other to visualize a comic-strip, Konglomerat Dresden e.V. initiates an discussion about visional future of the Elbe-river and a huge map, where you could integrate your proposals and wishes. Several podcasts (Jarii van Gohl & pupils of a nearby school/ Kieron Jina) can be listened to.", "marks": [], "data": {} }] }, { "nodeType": "paragraph", "data": {}, "content": [{ "nodeType": "text", "value": "The water level of the Elbe is incessantly increasing, in the evening there is torrential rain, but the mood is good.", "marks": [], "data": {} }] }, { "nodeType": "heading-1", "data": {}, "content": [{ "nodeType": "text", "value": "4th day", "marks": [], "data": {} }] }, { "nodeType": "heading-2", "data": {}, "content": [{ "nodeType": "text", "value": "12.07.2021 – Montagscafe I diversity I children I cooking I salsa", "marks": [], "data": {} }] }, { "nodeType": "paragraph", "data": {}, "content": [{ "nodeType": "text", "value": "Monday is the day of cooperation with “Montagscafe” of Staatsschauspiel Dresden, an intercultural meeting point for all Dresden’s inhabitants. At 3 pm we get a call: there is a group of about 50 women and children from a first reception refugee camp on their way to our place. So again it’s a quite different but very good atmosphere, playing, drawing comics, cooking and eating together. In the evening everyone is dancing with the Salsa-community of ‘Mambo Manifesto’.", "marks": [], "data": {} }] }, { "nodeType": "paragraph", "data": {}, "content": [{ "nodeType": "text", "value": "We are very happy about those four days, each different, full of community-life and artistic formats. The ARK became a place for meeting, exchanging, discussing, celebrating and was joined by a lot of very diverse people.", "marks": [], "data": {} }] }] } }, "institution": { "id": "678a6502-4b39-5a6b-8638-967e7d9398bf", "title": "HELLERAU – European Centre for the Arts", "city": "Dresden", "slug": "dresden", "description": { "json": { "data": {}, "content": [{ "data": {}, "content": [{ "data": {}, "marks": [], "value": "HELLERAU – European Centre for the Arts was founded as festival house and academy for musical and rhythmic education according to the visions of Heinrich Tessenow, trailblazer of modern architecture, and music educator Émile Jaques-Dalcroze in 1911. As the first cultural centre in Germany’s first garden city, the legendary edifice drew artists from all over Europe to Hellerau, among them Rilke, Kafka, Diaghilev, Van de Velde, Kokoschka, Gropius, Van der Rohe, Werfel, Busoni, Milhaud, Le Corbusier, Nolde, and Stefan Zweig until 1914. In the 1930s, the building was used as Police school and SS barracks, it was later a Soviet barrack and military hospital. The 1990s saw the houses revival through art. ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Today, HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre, media art and visual arts. HELLERAU offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally.\r", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "The residency apartments are as unique as opportunities for artistic research, production and encounters. Dresden, with its geography at the borders of Poland and the Czech Republic as well as by its history within Germany, occupies an important East-Western hub. Therefore, one important programmatic aspect deals with the role taken by the arts in trans- formational social processes in Eastern Bloc States after 1989. Other topics deal with neighbourhoods, generations, heritage and remembrance as well as with digital transformation and ecological sustainability. 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In her work as a director, dramaturg, writer and theatre teacher she focuses on productions in intercultural contexts, community theatre in neighborhoods of Dresden, classroom plays and productions with non-professional performers. She is regularly cooperating with the Bürgerbühne at Staatsschauspiel Dresden. Between 2010 and 2013 she was artistic director of the „European Youth Forum“, a project of the European Theatre Convention (ETC) and Festspiele Bad Hersfeld. From 2010 to 2018 she worked as a jury member for a theatre festival of youth productions throughout Germany. Since 2018 she is the coordinator of “Come As You Are” – an intercultural project of refugee and non-refugee musicians going into Saxon schools." }, "email": null, "links": [{ "title": "Katja Heiser is member of ‚missingdots‘ - performance-company", "url": "https://missingdots.de/" }] }, { "name": "Mustafa Ahaikh Hasan (Safy)", "role": "Architect and Public Interventions", "description": { "description": "Mustafa Ahaikh Hasan studied architecture at the University of Aleppo, at the École Nationale Supérieure d'Architecture de Strasbourg (ENSAS) and at the Technical University in Dresden. He moved to Dresden in 2015 and has since been involved in several art projects during his studies, e.g. for the Deutsches Hygiene-Museum Dresden (exhibition \"Racism. The Invention of Human Races\"), the contemporary art gallery Kunsthaus Dresden, HELLERAU Festival Theatre and the museum Hamburger Bahnhof in Berlin, amongst others together with the artist Raul Walch. Since August 2019 he has been working for the architect office HF Architektur in Dresden." }, "email": null, "links": null }, { "name": "Svea Duwe", "role": "Visual Artist", "description": { "description": "Svea Duwe is a visual artist based in Dresden. Her artistic focus is on installations, performative video works, stagings and sculptural movements in public spaces, creating photographs, drawings, sculptures, and costumes in the process. Svea Duwe studied sculpture at the Alanus University of Arts and Social Sciences in Alfter/Bonn and Fine Arts at the Dresden University of Fine Arts and the Statens Kunst Akademi Oslo. From 2013-2020 she worked as a lecturer for Sculpture-Object-Space and Conceptual and Contextual Artistic Practice in the Department of Art Education at TU-Dresden (Technical University Dresden).\n\nSvea Duwe works as a visual artist in various stage productions, e.g. by missingdots, Bürgerbühne Dresden, farbwerk e.V. or Societaetstheater. Svea Duwe is interested in the ambivalent aspects of our life in „the age of uncertainty“ (Tony Judt). With this thematic focus, she creates artistic works that create new relationships between space, material, movement and viewer." }, "email": null, "links": [{ "title": "Discover more about Svea Duwes work.", "url": "https://sveaduwe.de/" }] }] } }, { "id": "391ebb42-4964-55ed-80c4-03a2dee6c055", "createdAt": "2021-07-08T21:02:24.734Z", "updatedAt": "2021-07-08T21:02:24.734Z", "title": "ARK Dresden is starting today!", "description": { "description": "Starting post and programme ARK Dresden" }, "body": { "json": { "nodeType": "document", "data": {}, "content": [{ "nodeType": "embedded-entry-block", "content": [], "data": { "target": { "metadata": { "tags": [] }, "sys": { "space": { "sys": { "type": "Link", "linkType": "Space", "id": "c818239o4u2km", "contentful_id": "818239o4u2km" } }, "id": "c7ALmSBp74HZYsilM4CbOwo", "type": "Entry", "createdAt": "2021-07-08T21:00:24.643Z", "updatedAt": "2021-07-08T21:00:24.643Z", "environment": { "sys": { "id": "master", "type": "Link", "linkType": "Environment", "contentful_id": "master" } }, "revision": 1, "contentType": { "sys": { "type": "Link", "linkType": "ContentType", "id": "embeddedLink", "contentful_id": "embeddedLink" } }, "contentful_id": "7ALmSBp74HZYsilM4CbOwo" }, "fields": { "title": { "en-US": "In the middle of our set-up..." }, "iframe": { "en-US": "
" } } } } }, { "nodeType": "heading-2", "content": [{ "nodeType": "text", "value": "ARK Dresden: ARK FOR UNDERRATED KNOWLEDGE\n9 - 12 July 2021", "marks": [], "data": {} }], "data": {} }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "by Quarantine (GB), Katja Heiser, Svea Duwe (DE) and Mustafa Hasan (SY/DE)", "marks": [], "data": {} }], "data": {} }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "open air and free entrance\nvenue: river bank of the Elbe, Neustadt, next to the dock of the ferry boat \"Johanna\"", "marks": [], "data": {} }], "data": {} }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "Welcome to ARK Dresden! On the river banks of the Elbe and on the ferry boat \"Johanna\" various encounters will take place. Citizens of Dresden and different artists share, present and rescue individual knowledge and experiences that should not get lost over time or because of social changes.", "marks": [], "data": {} }], "data": {} }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "Friday from 4pm to 9pm and Saturday to Monday from 3pm to 9pm there will be various artistic formats to take part in and to listen to - workshops, concerts, discussions, audio features, performances on a ferry boat and much more.", "marks": [], "data": {} }], "data": {} }, { "nodeType": "heading-2", "content": [{ "nodeType": "text", "value": "Pass by, have a chat and share your stories - the ARK is build for everyone!", "marks": [], "data": {} }], "data": {} }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "", "marks": [], "data": {} }, { "nodeType": "hyperlink", "content": [{ "nodeType": "text", "value": "Click here to find the detailed programme for every day.", "marks": [], "data": {} }], "data": { "uri": "https://www.hellerau.org/en/festival/moving-borders/" } }, { "nodeType": "text", "value": "", "marks": [], "data": {} }], "data": {} }] } }, "institution": { "id": "678a6502-4b39-5a6b-8638-967e7d9398bf", "title": "HELLERAU – European Centre for the Arts", "city": "Dresden", "slug": "dresden", "description": { "json": { "data": {}, "content": [{ "data": {}, "content": [{ "data": {}, "marks": [], "value": "HELLERAU – European Centre for the Arts was founded as festival house and academy for musical and rhythmic education according to the visions of Heinrich Tessenow, trailblazer of modern architecture, and music educator Émile Jaques-Dalcroze in 1911. As the first cultural centre in Germany’s first garden city, the legendary edifice drew artists from all over Europe to Hellerau, among them Rilke, Kafka, Diaghilev, Van de Velde, Kokoschka, Gropius, Van der Rohe, Werfel, Busoni, Milhaud, Le Corbusier, Nolde, and Stefan Zweig until 1914. In the 1930s, the building was used as Police school and SS barracks, it was later a Soviet barrack and military hospital. The 1990s saw the houses revival through art. ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Today, HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre, media art and visual arts. HELLERAU offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally.\r", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "The residency apartments are as unique as opportunities for artistic research, production and encounters. Dresden, with its geography at the borders of Poland and the Czech Republic as well as by its history within Germany, occupies an important East-Western hub. Therefore, one important programmatic aspect deals with the role taken by the arts in trans- formational social processes in Eastern Bloc States after 1989. Other topics deal with neighbourhoods, generations, heritage and remembrance as well as with digital transformation and ecological sustainability. Carena Schlewitt has been artistic director since the season 2018/19.", "nodeType": "text" }], "nodeType": "paragraph" }], "nodeType": "document" } }, "image": { "title": "HELLERAU Festival Hall 2019 (Credit: Stephan Floss)", "fluid": { "base64": 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In her work as a director, dramaturg, writer and theatre teacher she focuses on productions in intercultural contexts, community theatre in neighborhoods of Dresden, classroom plays and productions with non-professional performers. She is regularly cooperating with the Bürgerbühne at Staatsschauspiel Dresden. Between 2010 and 2013 she was artistic director of the „European Youth Forum“, a project of the European Theatre Convention (ETC) and Festspiele Bad Hersfeld. From 2010 to 2018 she worked as a jury member for a theatre festival of youth productions throughout Germany. 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Since August 2019 he has been working for the architect office HF Architektur in Dresden." }, "email": null, "links": null }, { "name": "Svea Duwe", "role": "Visual Artist", "description": { "description": "Svea Duwe is a visual artist based in Dresden. Her artistic focus is on installations, performative video works, stagings and sculptural movements in public spaces, creating photographs, drawings, sculptures, and costumes in the process. Svea Duwe studied sculpture at the Alanus University of Arts and Social Sciences in Alfter/Bonn and Fine Arts at the Dresden University of Fine Arts and the Statens Kunst Akademi Oslo. From 2013-2020 she worked as a lecturer for Sculpture-Object-Space and Conceptual and Contextual Artistic Practice in the Department of Art Education at TU-Dresden (Technical University Dresden).\n\nSvea Duwe works as a visual artist in various stage productions, e.g. by missingdots, Bürgerbühne Dresden, farbwerk e.V. or Societaetstheater. Svea Duwe is interested in the ambivalent aspects of our life in „the age of uncertainty“ (Tony Judt). With this thematic focus, she creates artistic works that create new relationships between space, material, movement and viewer." }, "email": null, "links": [{ "title": "Discover more about Svea Duwes work.", "url": "https://sveaduwe.de/" }] }] } }, { "id": "813d14fe-9e4f-57d5-af10-39388a1c77e8", "createdAt": "2021-07-07T12:57:16.861Z", "updatedAt": "2021-07-07T12:57:16.861Z", "title": "Walk with me - Dresden", "description": { "description": "Tour through Dresden with Katja and Safy" }, "body": { "json": { "nodeType": "document", "data": {}, "content": [{ "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "Safy and Katja, two of Dresdens local agents for Moving Borders, are giving a tour through their city...", "marks": [], "data": {} }], "data": {} }, { "nodeType": "embedded-entry-block", "content": [], "data": { "target": { "metadata": { "tags": [] }, "sys": { "space": { "sys": { "type": "Link", "linkType": "Space", "id": "c818239o4u2km", "contentful_id": "818239o4u2km" } }, "id": "c6Bz9DDaskMwK3TFOpRXhdx", "type": "Entry", "createdAt": "2021-07-07T12:54:27.850Z", "updatedAt": "2021-07-07T12:54:27.850Z", "environment": { "sys": { "id": "master", "type": "Link", "linkType": "Environment", "contentful_id": "master" } }, "revision": 1, "contentType": { "sys": { "type": "Link", "linkType": "ContentType", "id": "embeddedLink", "contentful_id": "embeddedLink" } }, "contentful_id": "6Bz9DDaskMwK3TFOpRXhdx" }, "fields": { "title": { "en-US": "Walk with me - Dresden" }, "iframe": { "en-US": "" } } } } }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "", "marks": [], "data": {} }], "data": {} }] } }, "institution": { "id": "678a6502-4b39-5a6b-8638-967e7d9398bf", "title": "HELLERAU – European Centre for the Arts", "city": "Dresden", "slug": "dresden", "description": { "json": { "data": {}, "content": [{ "data": {}, "content": [{ "data": {}, "marks": [], "value": "HELLERAU – European Centre for the Arts was founded as festival house and academy for musical and rhythmic education according to the visions of Heinrich Tessenow, trailblazer of modern architecture, and music educator Émile Jaques-Dalcroze in 1911. As the first cultural centre in Germany’s first garden city, the legendary edifice drew artists from all over Europe to Hellerau, among them Rilke, Kafka, Diaghilev, Van de Velde, Kokoschka, Gropius, Van der Rohe, Werfel, Busoni, Milhaud, Le Corbusier, Nolde, and Stefan Zweig until 1914. In the 1930s, the building was used as Police school and SS barracks, it was later a Soviet barrack and military hospital. The 1990s saw the houses revival through art. ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Today, HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre, media art and visual arts. 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In her work as a director, dramaturg, writer and theatre teacher she focuses on productions in intercultural contexts, community theatre in neighborhoods of Dresden, classroom plays and productions with non-professional performers. She is regularly cooperating with the Bürgerbühne at Staatsschauspiel Dresden. Between 2010 and 2013 she was artistic director of the „European Youth Forum“, a project of the European Theatre Convention (ETC) and Festspiele Bad Hersfeld. From 2010 to 2018 she worked as a jury member for a theatre festival of youth productions throughout Germany. Since 2018 she is the coordinator of “Come As You Are” – an intercultural project of refugee and non-refugee musicians going into Saxon schools." }, "email": null, "links": [{ "title": "Katja Heiser is member of ‚missingdots‘ - performance-company", "url": "https://missingdots.de/" }] }, { "name": "Mustafa Ahaikh Hasan (Safy)", "role": "Architect and Public Interventions", "description": { "description": "Mustafa Ahaikh Hasan studied architecture at the University of Aleppo, at the École Nationale Supérieure d'Architecture de Strasbourg (ENSAS) and at the Technical University in Dresden. He moved to Dresden in 2015 and has since been involved in several art projects during his studies, e.g. for the Deutsches Hygiene-Museum Dresden (exhibition \"Racism. The Invention of Human Races\"), the contemporary art gallery Kunsthaus Dresden, HELLERAU Festival Theatre and the museum Hamburger Bahnhof in Berlin, amongst others together with the artist Raul Walch. Since August 2019 he has been working for the architect office HF Architektur in Dresden." }, "email": null, "links": null }, { "name": "Svea Duwe", "role": "Visual Artist", "description": { "description": "Svea Duwe is a visual artist based in Dresden. Her artistic focus is on installations, performative video works, stagings and sculptural movements in public spaces, creating photographs, drawings, sculptures, and costumes in the process. Svea Duwe studied sculpture at the Alanus University of Arts and Social Sciences in Alfter/Bonn and Fine Arts at the Dresden University of Fine Arts and the Statens Kunst Akademi Oslo. From 2013-2020 she worked as a lecturer for Sculpture-Object-Space and Conceptual and Contextual Artistic Practice in the Department of Art Education at TU-Dresden (Technical University Dresden).\n\nSvea Duwe works as a visual artist in various stage productions, e.g. by missingdots, Bürgerbühne Dresden, farbwerk e.V. or Societaetstheater. Svea Duwe is interested in the ambivalent aspects of our life in „the age of uncertainty“ (Tony Judt). With this thematic focus, she creates artistic works that create new relationships between space, material, movement and viewer." }, "email": null, "links": [{ "title": "Discover more about Svea Duwes work.", "url": "https://sveaduwe.de/" }] }] } }, { "id": "140d83db-63a4-5ad5-890a-f2b4dc7bf227", "createdAt": "2021-07-07T07:57:15.542Z", "updatedAt": "2021-07-07T08:18:35.134Z", "title": "Get to know the artists of ARK Dresden! 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His international projects and versatile actions are not limited to questioning or participation. Instead, he creates ephemeral and largely site-specific interventions that respond to different environments around the world. His work has been exhibited at the Neue Nationalgalerie Berlin, Hamburger Bahnhof Berlin, Kunsthaus Dresden and Kunstverein Arnsberg. Numerous artist-in-residence programs have made it possible for him to work internationally, such as with Tokyo Arts and Space, the Nida Art Colony, the Hessian Cultural Foundation and the Berlin Senate residency funding. Currently he is teaching “Art in Public Space and New Artistic Strategy“at the Bauhaus University Weimar. He is a board member of the bbk Berlin (berufsverband bildender künstler*innen berlin e. V.) and co-founder of the initiative Die Viele e.V. ", "marks": [], "data": {} }], "data": {} }, { "nodeType": "heading-2", "content": [{ "nodeType": "text", "value": "Waving Signals - a cosmopolitan choreography with flags for everyone", "marks": [], "data": {} }], "data": {} }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "ARK Dresden Raul designs and creates several different flags with visitors of the Montagscaf and of the event ARK Dresden from 09 to 12 July 2021. The flags are free to use and sway for everyone! Over the time a choreografie will be developed to communicate across the two river banks of the Elbe - as a simple gesture of welcome.", "marks": [], "data": {} }], "data": {} }] } }, "institution": { "id": "678a6502-4b39-5a6b-8638-967e7d9398bf", "title": "HELLERAU – European Centre for the Arts", "city": "Dresden", "slug": "dresden", "description": { "json": { "data": {}, "content": [{ "data": {}, "content": [{ "data": {}, "marks": [], "value": "HELLERAU – European Centre for the Arts was founded as festival house and academy for musical and rhythmic education according to the visions of Heinrich Tessenow, trailblazer of modern architecture, and music educator Émile Jaques-Dalcroze in 1911. As the first cultural centre in Germany’s first garden city, the legendary edifice drew artists from all over Europe to Hellerau, among them Rilke, Kafka, Diaghilev, Van de Velde, Kokoschka, Gropius, Van der Rohe, Werfel, Busoni, Milhaud, Le Corbusier, Nolde, and Stefan Zweig until 1914. In the 1930s, the building was used as Police school and SS barracks, it was later a Soviet barrack and military hospital. The 1990s saw the houses revival through art. ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Today, HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre, media art and visual arts. HELLERAU offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally.\r", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "The residency apartments are as unique as opportunities for artistic research, production and encounters. Dresden, with its geography at the borders of Poland and the Czech Republic as well as by its history within Germany, occupies an important East-Western hub. Therefore, one important programmatic aspect deals with the role taken by the arts in trans- formational social processes in Eastern Bloc States after 1989. Other topics deal with neighbourhoods, generations, heritage and remembrance as well as with digital transformation and ecological sustainability. Carena Schlewitt has been artistic director since the season 2018/19.", "nodeType": "text" }], "nodeType": "paragraph" }], "nodeType": "document" } }, "image": { "title": "HELLERAU Festival Hall 2019 (Credit: Stephan Floss)", "fluid": { "base64": 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In her work as a director, dramaturg, writer and theatre teacher she focuses on productions in intercultural contexts, community theatre in neighborhoods of Dresden, classroom plays and productions with non-professional performers. She is regularly cooperating with the Bürgerbühne at Staatsschauspiel Dresden. Between 2010 and 2013 she was artistic director of the „European Youth Forum“, a project of the European Theatre Convention (ETC) and Festspiele Bad Hersfeld. From 2010 to 2018 she worked as a jury member for a theatre festival of youth productions throughout Germany. Since 2018 she is the coordinator of “Come As You Are” – an intercultural project of refugee and non-refugee musicians going into Saxon schools." }, "email": null, "links": [{ "title": "Katja Heiser is member of ‚missingdots‘ - performance-company", "url": "https://missingdots.de/" }] }, { "name": "Mustafa Ahaikh Hasan (Safy)", "role": "Architect and Public Interventions", "description": { "description": "Mustafa Ahaikh Hasan studied architecture at the University of Aleppo, at the École Nationale Supérieure d'Architecture de Strasbourg (ENSAS) and at the Technical University in Dresden. He moved to Dresden in 2015 and has since been involved in several art projects during his studies, e.g. for the Deutsches Hygiene-Museum Dresden (exhibition \"Racism. The Invention of Human Races\"), the contemporary art gallery Kunsthaus Dresden, HELLERAU Festival Theatre and the museum Hamburger Bahnhof in Berlin, amongst others together with the artist Raul Walch. Since August 2019 he has been working for the architect office HF Architektur in Dresden." }, "email": null, "links": null }, { "name": "Svea Duwe", "role": "Visual Artist", "description": { "description": "Svea Duwe is a visual artist based in Dresden. Her artistic focus is on installations, performative video works, stagings and sculptural movements in public spaces, creating photographs, drawings, sculptures, and costumes in the process. Svea Duwe studied sculpture at the Alanus University of Arts and Social Sciences in Alfter/Bonn and Fine Arts at the Dresden University of Fine Arts and the Statens Kunst Akademi Oslo. From 2013-2020 she worked as a lecturer for Sculpture-Object-Space and Conceptual and Contextual Artistic Practice in the Department of Art Education at TU-Dresden (Technical University Dresden).\n\nSvea Duwe works as a visual artist in various stage productions, e.g. by missingdots, Bürgerbühne Dresden, farbwerk e.V. or Societaetstheater. Svea Duwe is interested in the ambivalent aspects of our life in „the age of uncertainty“ (Tony Judt). With this thematic focus, she creates artistic works that create new relationships between space, material, movement and viewer." }, "email": null, "links": [{ "title": "Discover more about Svea Duwes work.", "url": "https://sveaduwe.de/" }] }] } }, { "id": "dfc9216d-161e-590e-8c20-e2bcf4097c4f", "createdAt": "2021-07-07T08:12:29.995Z", "updatedAt": "2021-07-07T08:12:29.995Z", "title": "Get to know the artists of ARK Dresden! Part IV - Josef Panda", "description": { "description": "Artist Josef Panda" }, "body": { "json": { "nodeType": "document", "data": {}, "content": [{ "nodeType": "embedded-asset-block", "content": [], "data": { "target": { "metadata": { "tags": [] }, "sys": { "space": { "sys": { "type": "Link", "linkType": "Space", "id": "c818239o4u2km", "contentful_id": "818239o4u2km" } }, "id": "LoG74S7u82jsiRCVgMbUR", "type": "Asset", "createdAt": "2021-07-06T17:03:48.148Z", "updatedAt": "2021-07-06T17:03:48.148Z", "environment": { "sys": { "id": "master", "type": "Link", "linkType": "Environment", "contentful_id": "master" } }, "revision": 1, "contentful_id": "LoG74S7u82jsiRCVgMbUR" }, "fields": { "title": { "en-US": "Josef Panda" }, "description": { "en-US": "Josef Panda" }, "file": { "en-US": { "url": "/images/818239o4u2km/LoG74S7u82jsiRCVgMbUR/f42143948e8771ac18fb5f53da10bba4/movingbordersjosefpanda1.png", "details": { "size": 18143938, "image": { "width": 4521, "height": 2767 } }, "fileName": "movingbordersjosefpanda1.png", "contentType": "image/png" } } } } } }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "The artist Josef Panda lives and works in Dresden, where he studies visual arts at the HfBK Dresden. Next to painting his artistic practice focuses on performative projects and installations. Questions regarding identity, espacially in relation to our social togetherness, is central for the development of his works.", "marks": [], "data": {} }], "data": {} }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "For ARK Dresden he developed the performance \"Collection - what our clothes have to tell\" to search for the stories within and beyond the fabrics that we wear. Clothes are communicators between an individual and the outside world - they tell us about the person that wears them in a very immediate way. But they are also stores of information for personal memories and experiences, they have a history of origin or are a connective element between two associated people. Accordingly they carry much more information within than one can grasp at first glance. In the course of conversation with people Josef Panda tries to find out these hidden stories to paint their essence on second hand clothes and exhibit them as a library from fabrics - visible for everyone.", "marks": [], "data": {} }], "data": {} }] } }, "institution": { "id": "678a6502-4b39-5a6b-8638-967e7d9398bf", "title": "HELLERAU – European Centre for the Arts", "city": "Dresden", "slug": "dresden", "description": { "json": { "data": {}, "content": [{ "data": {}, "content": [{ "data": {}, "marks": [], "value": "HELLERAU – European Centre for the Arts was founded as festival house and academy for musical and rhythmic education according to the visions of Heinrich Tessenow, trailblazer of modern architecture, and music educator Émile Jaques-Dalcroze in 1911. As the first cultural centre in Germany’s first garden city, the legendary edifice drew artists from all over Europe to Hellerau, among them Rilke, Kafka, Diaghilev, Van de Velde, Kokoschka, Gropius, Van der Rohe, Werfel, Busoni, Milhaud, Le Corbusier, Nolde, and Stefan Zweig until 1914. In the 1930s, the building was used as Police school and SS barracks, it was later a Soviet barrack and military hospital. The 1990s saw the houses revival through art. ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Today, HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre, media art and visual arts. HELLERAU offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally.\r", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "The residency apartments are as unique as opportunities for artistic research, production and encounters. Dresden, with its geography at the borders of Poland and the Czech Republic as well as by its history within Germany, occupies an important East-Western hub. Therefore, one important programmatic aspect deals with the role taken by the arts in trans- formational social processes in Eastern Bloc States after 1989. Other topics deal with neighbourhoods, generations, heritage and remembrance as well as with digital transformation and ecological sustainability. Carena Schlewitt has been artistic director since the season 2018/19.", "nodeType": "text" }], "nodeType": "paragraph" }], "nodeType": "document" } }, "image": { "title": "HELLERAU Festival Hall 2019 (Credit: Stephan Floss)", "fluid": { "base64": 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In her work as a director, dramaturg, writer and theatre teacher she focuses on productions in intercultural contexts, community theatre in neighborhoods of Dresden, classroom plays and productions with non-professional performers. She is regularly cooperating with the Bürgerbühne at Staatsschauspiel Dresden. Between 2010 and 2013 she was artistic director of the „European Youth Forum“, a project of the European Theatre Convention (ETC) and Festspiele Bad Hersfeld. From 2010 to 2018 she worked as a jury member for a theatre festival of youth productions throughout Germany. Since 2018 she is the coordinator of “Come As You Are” – an intercultural project of refugee and non-refugee musicians going into Saxon schools." }, "email": null, "links": [{ "title": "Katja Heiser is member of ‚missingdots‘ - performance-company", "url": "https://missingdots.de/" }] }, { "name": "Mustafa Ahaikh Hasan (Safy)", "role": "Architect and Public Interventions", "description": { "description": "Mustafa Ahaikh Hasan studied architecture at the University of Aleppo, at the École Nationale Supérieure d'Architecture de Strasbourg (ENSAS) and at the Technical University in Dresden. He moved to Dresden in 2015 and has since been involved in several art projects during his studies, e.g. for the Deutsches Hygiene-Museum Dresden (exhibition \"Racism. The Invention of Human Races\"), the contemporary art gallery Kunsthaus Dresden, HELLERAU Festival Theatre and the museum Hamburger Bahnhof in Berlin, amongst others together with the artist Raul Walch. Since August 2019 he has been working for the architect office HF Architektur in Dresden." }, "email": null, "links": null }, { "name": "Svea Duwe", "role": "Visual Artist", "description": { "description": "Svea Duwe is a visual artist based in Dresden. Her artistic focus is on installations, performative video works, stagings and sculptural movements in public spaces, creating photographs, drawings, sculptures, and costumes in the process. Svea Duwe studied sculpture at the Alanus University of Arts and Social Sciences in Alfter/Bonn and Fine Arts at the Dresden University of Fine Arts and the Statens Kunst Akademi Oslo. From 2013-2020 she worked as a lecturer for Sculpture-Object-Space and Conceptual and Contextual Artistic Practice in the Department of Art Education at TU-Dresden (Technical University Dresden).\n\nSvea Duwe works as a visual artist in various stage productions, e.g. by missingdots, Bürgerbühne Dresden, farbwerk e.V. or Societaetstheater. Svea Duwe is interested in the ambivalent aspects of our life in „the age of uncertainty“ (Tony Judt). With this thematic focus, she creates artistic works that create new relationships between space, material, movement and viewer." }, "email": null, "links": [{ "title": "Discover more about Svea Duwes work.", "url": "https://sveaduwe.de/" }] }] } }, { "id": "472bd679-2b99-5739-9028-66a01db8f56f", "createdAt": "2021-07-06T16:33:29.172Z", "updatedAt": "2021-07-06T16:33:29.172Z", "title": "Get to know the artists of ARK Dresden! Part II - Konglomerat e.V.", "description": { "description": "Audio piece Konglomerat" }, "body": { "json": { "nodeType": "document", "data": {}, "content": [{ "nodeType": "embedded-asset-block", "content": [], "data": { "target": { "metadata": { "tags": [] }, "sys": { "space": { "sys": { "type": "Link", "linkType": "Space", "id": "c818239o4u2km", "contentful_id": "818239o4u2km" } }, "id": "c1GgrppJiZtOlj7MNFIPVb3", "type": "Asset", "createdAt": "2021-07-06T16:32:52.414Z", "updatedAt": "2021-07-06T17:22:19.227Z", "environment": { "sys": { "id": "master", "type": "Link", "linkType": "Environment", "contentful_id": "master" } }, "revision": 3, "contentful_id": "1GgrppJiZtOlj7MNFIPVb3" }, "fields": { "title": { "en-US": "Betti, Tinka and Sarah from Konglomerat e.V." }, "description": { "en-US": "Picture of Betti, Tinka and Sarah" }, "file": { "en-US": { "url": "/images/818239o4u2km/1GgrppJiZtOlj7MNFIPVb3/94cc8cdf76764700bab492987f71d6b8/ND800_0005982_01_FINAL.jpg", "details": { "size": 7676585, "image": { "width": 7258, "height": 4846 } }, "fileName": "ND800_0005982_01_FINAL.jpg", "contentType": "image/jpeg" } } } } } }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "In common do-it-yourself the association Konglomerat (Konglomerat e.V.) sees great potential to carve the social plastic and to set significant impulses of future developments. To this end, the Konglomerat promotes a 'self-made culture' ina variety of ways. Over 800m² of space is available here for the implementation of own ideas - a total of 13 trades and associated projects, from high to low tech. The intention of the association is to provide organizational and technical support to craft, cultural, artistic and social projects out of the civil society. This includes, among others, projects in the fields of urban and spatial development, in which we deal with a common good-oriented and co-produced city.", "marks": [], "data": {} }], "data": {} }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "For ARK Dresden we, Betti, Sarah and Tinka, would like to explore the question to what extent the cultural space of the river Elbe as a natural border that runs through the inner city of Dresden, seems to separate and at the same time connect the people living here. Therefore we invite you to an audio piece in order to convey underestimated knowledge about the Elbe as a working, leisure and living space and to spin visions and utopias - inspired by voices from the city that have been dreaming or already living them for a long time.", "marks": [], "data": {} }], "data": {} }] } }, "institution": { "id": "678a6502-4b39-5a6b-8638-967e7d9398bf", "title": "HELLERAU – European Centre for the Arts", "city": "Dresden", "slug": "dresden", "description": { "json": { "data": {}, "content": [{ "data": {}, "content": [{ "data": {}, "marks": [], "value": "HELLERAU – European Centre for the Arts was founded as festival house and academy for musical and rhythmic education according to the visions of Heinrich Tessenow, trailblazer of modern architecture, and music educator Émile Jaques-Dalcroze in 1911. As the first cultural centre in Germany’s first garden city, the legendary edifice drew artists from all over Europe to Hellerau, among them Rilke, Kafka, Diaghilev, Van de Velde, Kokoschka, Gropius, Van der Rohe, Werfel, Busoni, Milhaud, Le Corbusier, Nolde, and Stefan Zweig until 1914. In the 1930s, the building was used as Police school and SS barracks, it was later a Soviet barrack and military hospital. The 1990s saw the houses revival through art. ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Today, HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre, media art and visual arts. HELLERAU offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally.\r", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "The residency apartments are as unique as opportunities for artistic research, production and encounters. Dresden, with its geography at the borders of Poland and the Czech Republic as well as by its history within Germany, occupies an important East-Western hub. Therefore, one important programmatic aspect deals with the role taken by the arts in trans- formational social processes in Eastern Bloc States after 1989. Other topics deal with neighbourhoods, generations, heritage and remembrance as well as with digital transformation and ecological sustainability. Carena Schlewitt has been artistic director since the season 2018/19.", "nodeType": "text" }], "nodeType": "paragraph" }], "nodeType": "document" } }, "image": { "title": "HELLERAU Festival Hall 2019 (Credit: Stephan Floss)", "fluid": { "base64": 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In her work as a director, dramaturg, writer and theatre teacher she focuses on productions in intercultural contexts, community theatre in neighborhoods of Dresden, classroom plays and productions with non-professional performers. She is regularly cooperating with the Bürgerbühne at Staatsschauspiel Dresden. Between 2010 and 2013 she was artistic director of the „European Youth Forum“, a project of the European Theatre Convention (ETC) and Festspiele Bad Hersfeld. From 2010 to 2018 she worked as a jury member for a theatre festival of youth productions throughout Germany. Since 2018 she is the coordinator of “Come As You Are” – an intercultural project of refugee and non-refugee musicians going into Saxon schools." }, "email": null, "links": [{ "title": "Katja Heiser is member of ‚missingdots‘ - performance-company", "url": "https://missingdots.de/" }] }, { "name": "Mustafa Ahaikh Hasan (Safy)", "role": "Architect and Public Interventions", "description": { "description": "Mustafa Ahaikh Hasan studied architecture at the University of Aleppo, at the École Nationale Supérieure d'Architecture de Strasbourg (ENSAS) and at the Technical University in Dresden. He moved to Dresden in 2015 and has since been involved in several art projects during his studies, e.g. for the Deutsches Hygiene-Museum Dresden (exhibition \"Racism. The Invention of Human Races\"), the contemporary art gallery Kunsthaus Dresden, HELLERAU Festival Theatre and the museum Hamburger Bahnhof in Berlin, amongst others together with the artist Raul Walch. Since August 2019 he has been working for the architect office HF Architektur in Dresden." }, "email": null, "links": null }, { "name": "Svea Duwe", "role": "Visual Artist", "description": { "description": "Svea Duwe is a visual artist based in Dresden. Her artistic focus is on installations, performative video works, stagings and sculptural movements in public spaces, creating photographs, drawings, sculptures, and costumes in the process. Svea Duwe studied sculpture at the Alanus University of Arts and Social Sciences in Alfter/Bonn and Fine Arts at the Dresden University of Fine Arts and the Statens Kunst Akademi Oslo. From 2013-2020 she worked as a lecturer for Sculpture-Object-Space and Conceptual and Contextual Artistic Practice in the Department of Art Education at TU-Dresden (Technical University Dresden).\n\nSvea Duwe works as a visual artist in various stage productions, e.g. by missingdots, Bürgerbühne Dresden, farbwerk e.V. or Societaetstheater. Svea Duwe is interested in the ambivalent aspects of our life in „the age of uncertainty“ (Tony Judt). With this thematic focus, she creates artistic works that create new relationships between space, material, movement and viewer." }, "email": null, "links": [{ "title": "Discover more about Svea Duwes work.", "url": "https://sveaduwe.de/" }] }] } }, { "id": "fe5917a7-b758-5055-accc-dfab00ffb394", "createdAt": "2021-04-09T12:13:44.715Z", "updatedAt": "2021-04-09T12:13:44.715Z", "title": "Get to know the artists of ARK Dresden! Part I - Jarii van Gohl", "description": { "description": "Jarii van Gohl presentation" }, "body": { "json": { "nodeType": "document", "data": {}, "content": [{ "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "", "marks": [], "data": {} }], "data": {} }, { "nodeType": "embedded-asset-block", "content": [], "data": { "target": { "metadata": { "tags": [] }, "sys": { "space": { "sys": { "type": "Link", "linkType": "Space", "id": "c818239o4u2km", "contentful_id": "818239o4u2km" } }, "id": "c1JBjNJyOm68kkdApVGXCcL", "type": "Asset", "createdAt": "2021-04-07T15:18:07.553Z", "updatedAt": "2021-04-07T15:22:24.242Z", "environment": { "sys": { "id": "master", "type": "Link", "linkType": "Environment", "contentful_id": "master" } }, "revision": 3, "contentful_id": "1JBjNJyOm68kkdApVGXCcL" }, "fields": { "title": { "en-US": "Jarii van Gohl_Soundselektor" }, "description": { "en-US": "Picture of Jari van Gohl" }, "file": { "en-US": { "url": "/images/818239o4u2km/1JBjNJyOm68kkdApVGXCcL/12e54c8294d8ed57192422b64eaf8678/thumbnail_Jarii_van_Gohl_Soundselektor.jpg", "details": { "size": 249680, "image": { "width": 960, "height": 960 } }, "fileName": "thumbnail_Jarii_van_Gohl_Soundselektor.jpg", "contentType": "image/jpeg" } } } } } }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "", "marks": [], "data": {} }], "data": {} }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "", "marks": [], "data": {} }, { "nodeType": "hyperlink", "content": [{ "nodeType": "text", "value": "Jarii van Gohl", "marks": [], "data": {} }], "data": { "uri": "https://jariivangohl.de/" } }, { "nodeType": "text", "value": " (Jörg Rebelein) wanders between music, sound art and performance. He sees himself as a sound architect, who engages in sounds and audio structures beyond classical listening habits. Within the last three years he has focused on audiovisual works for dance and theatre. He visualized facades through sound, made farm machines sing and performed on stages worldwide. Besides his own music productions he realises also film music and sound designs. Many of his projects are cooperations with musicians such as Farin Urlaub (Die Ärzte), Porky (Deichkind) or Oliver Riedel (Rammstein). Besides his sound art, he often works with children and young adults and together with them develops audio dramas and music. He also teaches at universities and schools, works in walfare facilities and can be found in shabby punk rock cellars. Creative and inspiring ideas are his trademark.", "marks": [], "data": {} }], "data": {} }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "For the Moving Borders project ARK Dresden Jarii van Gohl will produce together with young adults living in the Dresden neighbourhood Johannstadt an auditive snap-shot of their immediate surroundings. The purpose is to create an audio walk for which the teenagers compose music, sound and texts themselves. Authenticity being the fundamental ingredient here, personal emotions, wishes, fears and hopes will be leading the process and translated within the project into sound. Topics such as irritation and quarrels as well as reconciliation, different faces and perspectives - all are welcome. How do people experience their neighbourhood and is it possible to catch the experiences made there and to reproduce them in an audio track?", "marks": [], "data": {} }], "data": {} }] } }, "institution": { "id": "678a6502-4b39-5a6b-8638-967e7d9398bf", "title": "HELLERAU – European Centre for the Arts", "city": "Dresden", "slug": "dresden", "description": { "json": { "data": {}, "content": [{ "data": {}, "content": [{ "data": {}, "marks": [], "value": "HELLERAU – European Centre for the Arts was founded as festival house and academy for musical and rhythmic education according to the visions of Heinrich Tessenow, trailblazer of modern architecture, and music educator Émile Jaques-Dalcroze in 1911. As the first cultural centre in Germany’s first garden city, the legendary edifice drew artists from all over Europe to Hellerau, among them Rilke, Kafka, Diaghilev, Van de Velde, Kokoschka, Gropius, Van der Rohe, Werfel, Busoni, Milhaud, Le Corbusier, Nolde, and Stefan Zweig until 1914. In the 1930s, the building was used as Police school and SS barracks, it was later a Soviet barrack and military hospital. The 1990s saw the houses revival through art. ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Today, HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre, media art and visual arts. HELLERAU offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally.\r", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "The residency apartments are as unique as opportunities for artistic research, production and encounters. Dresden, with its geography at the borders of Poland and the Czech Republic as well as by its history within Germany, occupies an important East-Western hub. Therefore, one important programmatic aspect deals with the role taken by the arts in trans- formational social processes in Eastern Bloc States after 1989. Other topics deal with neighbourhoods, generations, heritage and remembrance as well as with digital transformation and ecological sustainability. Carena Schlewitt has been artistic director since the season 2018/19.", "nodeType": "text" }], "nodeType": "paragraph" }], "nodeType": "document" } }, "image": { "title": "HELLERAU Festival Hall 2019 (Credit: Stephan Floss)", "fluid": { "base64": 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In her work as a director, dramaturg, writer and theatre teacher she focuses on productions in intercultural contexts, community theatre in neighborhoods of Dresden, classroom plays and productions with non-professional performers. She is regularly cooperating with the Bürgerbühne at Staatsschauspiel Dresden. Between 2010 and 2013 she was artistic director of the „European Youth Forum“, a project of the European Theatre Convention (ETC) and Festspiele Bad Hersfeld. From 2010 to 2018 she worked as a jury member for a theatre festival of youth productions throughout Germany. Since 2018 she is the coordinator of “Come As You Are” – an intercultural project of refugee and non-refugee musicians going into Saxon schools." }, "email": null, "links": [{ "title": "Katja Heiser is member of ‚missingdots‘ - performance-company", "url": "https://missingdots.de/" }] }, { "name": "Mustafa Ahaikh Hasan (Safy)", "role": "Architect and Public Interventions", "description": { "description": "Mustafa Ahaikh Hasan studied architecture at the University of Aleppo, at the École Nationale Supérieure d'Architecture de Strasbourg (ENSAS) and at the Technical University in Dresden. He moved to Dresden in 2015 and has since been involved in several art projects during his studies, e.g. for the Deutsches Hygiene-Museum Dresden (exhibition \"Racism. The Invention of Human Races\"), the contemporary art gallery Kunsthaus Dresden, HELLERAU Festival Theatre and the museum Hamburger Bahnhof in Berlin, amongst others together with the artist Raul Walch. Since August 2019 he has been working for the architect office HF Architektur in Dresden." }, "email": null, "links": null }, { "name": "Svea Duwe", "role": "Visual Artist", "description": { "description": "Svea Duwe is a visual artist based in Dresden. Her artistic focus is on installations, performative video works, stagings and sculptural movements in public spaces, creating photographs, drawings, sculptures, and costumes in the process. Svea Duwe studied sculpture at the Alanus University of Arts and Social Sciences in Alfter/Bonn and Fine Arts at the Dresden University of Fine Arts and the Statens Kunst Akademi Oslo. From 2013-2020 she worked as a lecturer for Sculpture-Object-Space and Conceptual and Contextual Artistic Practice in the Department of Art Education at TU-Dresden (Technical University Dresden).\n\nSvea Duwe works as a visual artist in various stage productions, e.g. by missingdots, Bürgerbühne Dresden, farbwerk e.V. or Societaetstheater. Svea Duwe is interested in the ambivalent aspects of our life in „the age of uncertainty“ (Tony Judt). With this thematic focus, she creates artistic works that create new relationships between space, material, movement and viewer." }, "email": null, "links": [{ "title": "Discover more about Svea Duwes work.", "url": "https://sveaduwe.de/" }] }] } }, { "id": "c78ab802-032f-547a-bce5-cfebddb7e5a9", "createdAt": "2021-02-16T11:23:51.755Z", "updatedAt": "2021-02-16T11:24:20.470Z", "title": "Article about ARK Dresden is published!", "description": { "description": "Article abut ARK Dresden - Ark for underrated knowledge" }, "body": { "json": { "data": {}, "content": [{ "data": { "target": { "metadata": { "tags": [] }, "sys": { "space": { "sys": { "type": "Link", "linkType": "Space", "id": "c818239o4u2km", "contentful_id": "818239o4u2km" } }, "id": "c2gBF4JyrqpksZPdwoba9YT", "type": "Asset", "createdAt": "2021-02-16T10:48:19.575Z", "updatedAt": "2021-02-16T10:48:19.575Z", "environment": { "sys": { "id": "master", "type": "Link", "linkType": "Environment", "contentful_id": "master" } }, "revision": 1, "contentful_id": "2gBF4JyrqpksZPdwoba9YT" }, "fields": { "title": { "en-US": "HELLERAUs biannually brochure #1 - 2021: ARK Dresden" }, "file": { "en-US": { "url": "/images/818239o4u2km/2gBF4JyrqpksZPdwoba9YT/95ad9f38b596a3811037567d3fbb7962/2021-02-10_HELLERAU_Magazin_MovingBorders.jpg", "details": { "size": 741326, "image": { "width": 1050, "height": 580 } }, "fileName": "2021-02-10_HELLERAU_Magazin_MovingBorders.jpg", "contentType": "image/jpeg" } } } } }, "content": [], "nodeType": "embedded-asset-block" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Learn more about the cooperative project Moving Borders and the lokal version in our city: ARK Dresden - Ark for underrated Knowledge.", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "The magazine is published in German. ", "nodeType": "text" }, { "data": { "uri": "https://www.hellerau.org/en/ark-dresden-arche-fuer-unterschaetztes-wissen-1-2021/" }, "content": [{ "data": {}, "marks": [], "value": "Please click here", "nodeType": "text" }], "nodeType": "hyperlink" }, { "data": {}, "marks": [], "value": " to find the article about ARK Dresden in English.", "nodeType": "text" }], "nodeType": "paragraph" }], "nodeType": "document" } }, "institution": { "id": "678a6502-4b39-5a6b-8638-967e7d9398bf", "title": "HELLERAU – European Centre for the Arts", "city": "Dresden", "slug": "dresden", "description": { "json": { "data": {}, "content": [{ "data": {}, "content": [{ "data": {}, "marks": [], "value": "HELLERAU – European Centre for the Arts was founded as festival house and academy for musical and rhythmic education according to the visions of Heinrich Tessenow, trailblazer of modern architecture, and music educator Émile Jaques-Dalcroze in 1911. As the first cultural centre in Germany’s first garden city, the legendary edifice drew artists from all over Europe to Hellerau, among them Rilke, Kafka, Diaghilev, Van de Velde, Kokoschka, Gropius, Van der Rohe, Werfel, Busoni, Milhaud, Le Corbusier, Nolde, and Stefan Zweig until 1914. In the 1930s, the building was used as Police school and SS barracks, it was later a Soviet barrack and military hospital. The 1990s saw the houses revival through art. ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Today, HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre, media art and visual arts. HELLERAU offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally.\r", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "The residency apartments are as unique as opportunities for artistic research, production and encounters. Dresden, with its geography at the borders of Poland and the Czech Republic as well as by its history within Germany, occupies an important East-Western hub. Therefore, one important programmatic aspect deals with the role taken by the arts in trans- formational social processes in Eastern Bloc States after 1989. Other topics deal with neighbourhoods, generations, heritage and remembrance as well as with digital transformation and ecological sustainability. Carena Schlewitt has been artistic director since the season 2018/19.", "nodeType": "text" }], "nodeType": "paragraph" }], "nodeType": "document" } }, "image": { "title": "HELLERAU Festival Hall 2019 (Credit: Stephan Floss)", "fluid": { "base64": 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In her work as a director, dramaturg, writer and theatre teacher she focuses on productions in intercultural contexts, community theatre in neighborhoods of Dresden, classroom plays and productions with non-professional performers. She is regularly cooperating with the Bürgerbühne at Staatsschauspiel Dresden. Between 2010 and 2013 she was artistic director of the „European Youth Forum“, a project of the European Theatre Convention (ETC) and Festspiele Bad Hersfeld. From 2010 to 2018 she worked as a jury member for a theatre festival of youth productions throughout Germany. Since 2018 she is the coordinator of “Come As You Are” – an intercultural project of refugee and non-refugee musicians going into Saxon schools." }, "email": null, "links": [{ "title": "Katja Heiser is member of ‚missingdots‘ - performance-company", "url": "https://missingdots.de/" }] }, { "name": "Mustafa Ahaikh Hasan (Safy)", "role": "Architect and Public Interventions", "description": { "description": "Mustafa Ahaikh Hasan studied architecture at the University of Aleppo, at the École Nationale Supérieure d'Architecture de Strasbourg (ENSAS) and at the Technical University in Dresden. He moved to Dresden in 2015 and has since been involved in several art projects during his studies, e.g. for the Deutsches Hygiene-Museum Dresden (exhibition \"Racism. The Invention of Human Races\"), the contemporary art gallery Kunsthaus Dresden, HELLERAU Festival Theatre and the museum Hamburger Bahnhof in Berlin, amongst others together with the artist Raul Walch. Since August 2019 he has been working for the architect office HF Architektur in Dresden." }, "email": null, "links": null }, { "name": "Svea Duwe", "role": "Visual Artist", "description": { "description": "Svea Duwe is a visual artist based in Dresden. Her artistic focus is on installations, performative video works, stagings and sculptural movements in public spaces, creating photographs, drawings, sculptures, and costumes in the process. Svea Duwe studied sculpture at the Alanus University of Arts and Social Sciences in Alfter/Bonn and Fine Arts at the Dresden University of Fine Arts and the Statens Kunst Akademi Oslo. From 2013-2020 she worked as a lecturer for Sculpture-Object-Space and Conceptual and Contextual Artistic Practice in the Department of Art Education at TU-Dresden (Technical University Dresden).\n\nSvea Duwe works as a visual artist in various stage productions, e.g. by missingdots, Bürgerbühne Dresden, farbwerk e.V. or Societaetstheater. Svea Duwe is interested in the ambivalent aspects of our life in „the age of uncertainty“ (Tony Judt). With this thematic focus, she creates artistic works that create new relationships between space, material, movement and viewer." }, "email": null, "links": [{ "title": "Discover more about Svea Duwes work.", "url": "https://sveaduwe.de/" }] }] } }, { "id": "c4adde9f-b5e1-5b6d-b8a8-78ef8b922c22", "createdAt": "2021-01-14T14:10:21.099Z", "updatedAt": "2021-01-19T14:55:23.692Z", "title": "Moving Borders Dresden 27/12/2020", "description": { "description": "Ride on the small pedestrian ferry boat Johanna crossing the Elbe river." }, "body": { "json": { "nodeType": "document", "data": {}, "content": [{ "nodeType": "embedded-entry-block", "content": [], "data": { "target": { "metadata": { "tags": [] }, "sys": { "space": { "sys": { "type": "Link", "linkType": "Space", "id": "c818239o4u2km", "contentful_id": "818239o4u2km" } }, "id": "c5nyVmPfscDavZC3k9Gv7lo", "type": "Entry", "createdAt": "2021-01-14T12:01:43.339Z", "updatedAt": "2021-01-19T14:54:34.268Z", "environment": { "sys": { "id": "master", "type": "Link", "linkType": "Environment", "contentful_id": "master" } }, "revision": 4, "contentType": { "sys": { "type": "Link", "linkType": "ContentType", "id": "embeddedLink", "contentful_id": "embeddedLink" } }, "contentful_id": "5nyVmPfscDavZC3k9Gv7lo" }, "fields": { "title": { "en-US": "Ferry Ride" }, "iframe": { "en-US": "" } } } } }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "", "marks": [], "data": {} }], "data": {} }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "This is Johanna, a small pedestrian ferry boat crossing the Elbe-river in Dresden between Johannstadt and Neustadt. A ride from one side to the other takes 2 ½ minutes (without time-lapse). ", "marks": [], "data": {} }], "data": {} }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "Johanna will be part of the Dresden ‘Ark’: As soon as the lockdown is over we will start researching with the citizens of the two neighborhoods what will be the cargo to be\n rescued on Johanna… ", "marks": [], "data": {} }], "data": {} }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "More details coming soon. ", "marks": [], "data": {} }], "data": {} }] } }, "institution": { "id": "678a6502-4b39-5a6b-8638-967e7d9398bf", "title": "HELLERAU – European Centre for the Arts", "city": "Dresden", "slug": "dresden", "description": { "json": { "data": {}, "content": [{ "data": {}, "content": [{ "data": {}, "marks": [], "value": "HELLERAU – European Centre for the Arts was founded as festival house and academy for musical and rhythmic education according to the visions of Heinrich Tessenow, trailblazer of modern architecture, and music educator Émile Jaques-Dalcroze in 1911. As the first cultural centre in Germany’s first garden city, the legendary edifice drew artists from all over Europe to Hellerau, among them Rilke, Kafka, Diaghilev, Van de Velde, Kokoschka, Gropius, Van der Rohe, Werfel, Busoni, Milhaud, Le Corbusier, Nolde, and Stefan Zweig until 1914. In the 1930s, the building was used as Police school and SS barracks, it was later a Soviet barrack and military hospital. The 1990s saw the houses revival through art. ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Today, HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre, media art and visual arts. HELLERAU offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally.\r", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "The residency apartments are as unique as opportunities for artistic research, production and encounters. Dresden, with its geography at the borders of Poland and the Czech Republic as well as by its history within Germany, occupies an important East-Western hub. Therefore, one important programmatic aspect deals with the role taken by the arts in trans- formational social processes in Eastern Bloc States after 1989. Other topics deal with neighbourhoods, generations, heritage and remembrance as well as with digital transformation and ecological sustainability. Carena Schlewitt has been artistic director since the season 2018/19.", "nodeType": "text" }], "nodeType": "paragraph" }], "nodeType": "document" } }, "image": { "title": "HELLERAU Festival Hall 2019 (Credit: Stephan Floss)", "fluid": { "base64": 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"/images/818239o4u2km/25qNd2cNiW7fcIjXWcGaly/5d98988700d12739b038710dcd2b37fa/festspielhaus-2019_prohlis-paradies_stephan-floss-2_Kopie.jpg?w=600&h=404&q=90&fm=webp 600w,\n/images/818239o4u2km/25qNd2cNiW7fcIjXWcGaly/5d98988700d12739b038710dcd2b37fa/festspielhaus-2019_prohlis-paradies_stephan-floss-2_Kopie.jpg?w=1200&h=808&q=90&fm=webp 1200w,\n/images/818239o4u2km/25qNd2cNiW7fcIjXWcGaly/5d98988700d12739b038710dcd2b37fa/festspielhaus-2019_prohlis-paradies_stephan-floss-2_Kopie.jpg?w=1700&h=1144&q=90&fm=webp 1700w", "sizes": "(max-width: 2400px) 100vw, 2400px" } }, "links": [{ "title": "Discover more about HELLERAU", "url": "https://www.hellerau.org/en/" }], "people": [{ "name": "Katja Heiser", "role": "Theatre pedagogue and director ", "description": { "description": "Katja Heiser studied cultural science at University Hildesheim and Hogeschool voor de Kunsten Utrecht and has been living in Dresden since 1998. In her work as a director, dramaturg, writer and theatre teacher she focuses on productions in intercultural contexts, community theatre in neighborhoods of Dresden, classroom plays and productions with non-professional performers. She is regularly cooperating with the Bürgerbühne at Staatsschauspiel Dresden. Between 2010 and 2013 she was artistic director of the „European Youth Forum“, a project of the European Theatre Convention (ETC) and Festspiele Bad Hersfeld. From 2010 to 2018 she worked as a jury member for a theatre festival of youth productions throughout Germany. Since 2018 she is the coordinator of “Come As You Are” – an intercultural project of refugee and non-refugee musicians going into Saxon schools." }, "email": null, "links": [{ "title": "Katja Heiser is member of ‚missingdots‘ - performance-company", "url": "https://missingdots.de/" }] }, { "name": "Mustafa Ahaikh Hasan (Safy)", "role": "Architect and Public Interventions", "description": { "description": "Mustafa Ahaikh Hasan studied architecture at the University of Aleppo, at the École Nationale Supérieure d'Architecture de Strasbourg (ENSAS) and at the Technical University in Dresden. He moved to Dresden in 2015 and has since been involved in several art projects during his studies, e.g. for the Deutsches Hygiene-Museum Dresden (exhibition \"Racism. The Invention of Human Races\"), the contemporary art gallery Kunsthaus Dresden, HELLERAU Festival Theatre and the museum Hamburger Bahnhof in Berlin, amongst others together with the artist Raul Walch. Since August 2019 he has been working for the architect office HF Architektur in Dresden." }, "email": null, "links": null }, { "name": "Svea Duwe", "role": "Visual Artist", "description": { "description": "Svea Duwe is a visual artist based in Dresden. Her artistic focus is on installations, performative video works, stagings and sculptural movements in public spaces, creating photographs, drawings, sculptures, and costumes in the process. Svea Duwe studied sculpture at the Alanus University of Arts and Social Sciences in Alfter/Bonn and Fine Arts at the Dresden University of Fine Arts and the Statens Kunst Akademi Oslo. From 2013-2020 she worked as a lecturer for Sculpture-Object-Space and Conceptual and Contextual Artistic Practice in the Department of Art Education at TU-Dresden (Technical University Dresden).\n\nSvea Duwe works as a visual artist in various stage productions, e.g. by missingdots, Bürgerbühne Dresden, farbwerk e.V. or Societaetstheater. Svea Duwe is interested in the ambivalent aspects of our life in „the age of uncertainty“ (Tony Judt). With this thematic focus, she creates artistic works that create new relationships between space, material, movement and viewer." }, "email": null, "links": [{ "title": "Discover more about Svea Duwes work.", "url": "https://sveaduwe.de/" }] }] } }, { "id": "266f4345-bce3-5168-a72f-4adc453a1bfb", "createdAt": "2020-10-01T12:41:26.048Z", "updatedAt": "2020-10-01T12:41:26.048Z", "title": "Interview with Richard Gregory, Co-Artistic Director of Quarantine", "description": { "description": "Interview with Richard Gregory, Co-Artistic Director of Quarantine" }, "body": { "json": { "data": {}, "content": [{ "data": {}, "content": [{ "data": {}, "marks": [], "value": "How would you describe the working method of Quarantine?", "nodeType": "text" }], "nodeType": "heading-2" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "We spend a long time in the first stages of a project looking at and thinking about what’s\nhappening in our own lives, what’s happening „on our doorstep“ – right in front of our eyes – and what’s happening in the wider world, to try to discover the connections and relationships across those 3 spaces. We always make work that articulates something of our own experience. So there’s a dialogue in the work between the personal and the public. And we continue to question and test the languages and conventions – perhaps the perceived constraints – of the artform.", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Our process is conversational. We talk with people and discover who they are and what their history is, what their beliefs are, how they see the world.... That includes collaborators of all kinds – the creative teams, the producers, the technicians etc – as well as the people who perform or take part or who are the subjects of the work. We’re interested in how this\nis manifest in the form of the work. So dialogue is not only an intrinsic part of process but also often exists within the presentation of the work. Quarantine’s work can blur the lines between audience and performer whilst retaining a strong sense of context – the fact that this is an artwork taking place in public.  ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "There are things we sometimes say to explain what we do:  \nWe start with the people in the room. \nWe try to create the circumstances for a conversation between strangers.  \nWe like to show our hand – to reveal within the work how we’ve made it.  \nWe end with the people in the room. ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Quarantine initiates many projects in public space and with people without professional performing skills or education. What is important to you regarding your work?", "nodeType": "text" }], "nodeType": "heading-2" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "It’s a mix of aesthetic taste and political imperative.", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "I like to see human frailties and contradictions in art – I’m as interested in banality and the everyday as I am in the extraordinary and virtuosic. I get very bored by slick presentations that deny or pretend towards clumsiness and vulnerability. I’m most engaged by art that teeters on the edge of failure. It breaches a dividing line somehow, and allows me to see the fragility that I know we all have.", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "This strongly connects with the politics of what we do. I come from a working class background with parents who were highly intelligent but relatively formally uneducated – they both left school aged 14. I’m drawn to Jacques Ranciere’s notions around equality of intelligence. I love to be in situations where different kinds of intelligence have agency and\nequivalence. I’m very uncomfortable where a certain language of articulating so-called knowledge is dominant – a very Western powerplay where access to a particular vocabulary, a certain hierarchy of expression, buys power. It’s dogmatic. It’s endemic in Britain’s class system but can also be a suffocating presence in the bourgeois stranglehold on art across Europe. The fact that supposedly politically progressive and formally adventurous art is rarely experienced other than by people who look and sound like the people who made it is a massive problem.", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "So we try to make work where there is space for diverse experience and skill and intelligences and forms of expression to co-exist. It doesn‘t have to be easy for audiences – in fact it can’t be. I’m convinced that to make effective social progress we need to find ways to re-shape our ideas about democracy, about who gets to speak and make decisions, about how to bring people together with contradictory experiences and beliefs. We’ve been drawn to Chantal Mouffe’s ideas about agonistic pluralism – I think that right from the beginning, Quarantine’s work has tried to bring people together who might not normally meet, to acknowledge and confront difference as well as connection and to imagine how we might share space, how we might move forward. ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "What motivated you to submit a concept for the Moving Borders project?", "nodeType": "text" }], "nodeType": "heading-2" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "We’re living in a moment in time where new lines are being drawn and old ones erased in all kinds of ways. The shift to the right and towards doctrinaire politics: Putin, Trump, Bolsonaro, Erdogan, Orbán, our own Johnson – the list goes on and is frighteningly long – is carried by tactics that deliberately stir up division and foment nationalism. The crises of migration and the climate emergency are subject to the manipulative, self-serving and reality-shifting rhetoric of these post-truth politicians. And that was before we added Covid-19 to the cocktail. It seems like Jean Baudrillard’s ", "nodeType": "text" }, { "data": {}, "marks": [{ "type": "italic" }], "value": "End of History", "nodeType": "text" }, { "data": {}, "marks": [], "value": " may be upon us, obfuscating attacks on the very idea of social progress.", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "So we were drawn to a project that looked at these issues on a significant scale, across Europe, and offered the opportunity to engage with people in very different circumstances and, potentially, to do something useful. Hope lies across these borders.", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "What fascinates you the most regarding the process of Moving Borders until know or/and in the future?", "nodeType": "text" }], "nodeType": "heading-2" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "It continues to be stimulating to hear the ways in which partners are responding to our provocation to create an ark for each city. Their concepts are incredibly diverse – each apt and tailored to its local context, each finding ways to connect with and to connect people who might not normally gather together. When we began, we’d imagined perhaps delivering the ark to each place ourselves, but through the dialogue we’ve had with partners and local agents since the beginning of the year, it became clear that the process of co-creation necessitated creative agency to lie firmly in the hands of local artists,  experts, activists and others. That’s the right way for this work.", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "How did you come to the motif of an ark?", "nodeType": "text" }], "nodeType": "heading-2" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "It came from our collaborator Kate Daley. She’s one of Quarantine’s ensemble – an artist and producer. I believe that it’s something she’d been thinking about before – an image of a space, real or metaphorical, that allows us to gather together to consider the question: what shall we save? It references the biblical ark of course and the story in Genesis is repeated, with variations, in the Quran, where the ark appears as ", "nodeType": "text" }, { "data": {}, "marks": [{ "type": "italic" }], "value": "Safina Nūḥ", "nodeType": "text" }, { "data": {}, "marks": [], "value": " (Arabic: \"Noah's boat\").", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "An ark could be symbol for rescue. Indeed an ark is also somewhat exclusive: who decides who or what should be rescued? This becomes more than clear concerning the EU external borders at the moment.", "nodeType": "text" }], "nodeType": "heading-2" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Yes – of course it’s a provocative concept. Who decides what borders shall be drawn? Who decides who can pass through, who can remain?  Who decides who or what shall ", "nodeType": "text" }, { "data": {}, "marks": [{ "type": "italic" }], "value": "we", "nodeType": "text" }, { "data": {}, "marks": [], "value": " save?  Who are the „We“?", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "This is a work that, we hope, will create the circumstances for gatherings of people that form contexts for debate, that bring people together who might not normally meet, to talk about these issues that – in very different ways – affect us all.", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "And transnationally, across the project, Quarantine are devising ways for each city to talk to the others. We’ve been inspired by the idea of ballast – the heavy material placed in ships to give them stability and that is left behind when new cargo is added in each destination.  Cities have grown from ballast. We’re creating a notional ballast that is transported from Strasbourg to Athens to Utrecht to Dresden to Mülheim to Porto to Warsaw – a cumulative, no-doubt-contested, inter-cultural text that responds to that question:", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [{ "type": "italic" }], "value": "What shall we save? ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "You as a British theatre ensemble are involved in an EU project. What are your thoughts about that? ", "nodeType": "text" }], "nodeType": "heading-2" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "It is absolutely vital - more important than ever - for us, for other British artists, to develop and maintain relationships with Europe. We all know about those frightening and dangerous trends towards nationalism. I don’t want to be trapped on an island with rigid borders that lives in an imagined version of its own past. I want to welcome people in and I want to continue to be able to continue to be part of the big conversation that working as an artist across Europe, across the world, affords me. I want to help find ways for a generation\nyounger than me to have that experience, that privilege, too. That privilege is challenged by Brexit and COVID, but if there’s one thing that artists tend to be good at, it’s imagining\nand testing solutions to difficult situations....", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "If you could wish for something regarding Moving Borders and ARK – for you, the partcipants etc. – what would that be?", "nodeType": "text" }], "nodeType": "heading-2" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "For all of us, to make new and lasting relationships that introduce us to ways of thinking and living that we might not have encountered before, that might help us to understand more potently the lives of others; to acknowledge our privileges and our differences and to notice our similarities. To do something together that might create some kind of genuine,\nlong-term shift in the way we connect with others in the place we live. To make unexpected friendships, collaborations and allegiances. I know from my own experience that often one only recognises this kind of change with the benefit of time and hindsight. Let’s re-draw the map together, and move some borders.", "nodeType": "text" }], "nodeType": "paragraph" }], "nodeType": "document" } }, "institution": { "id": "678a6502-4b39-5a6b-8638-967e7d9398bf", "title": "HELLERAU – European Centre for the Arts", "city": "Dresden", "slug": "dresden", "description": { "json": { "data": {}, "content": [{ "data": {}, "content": [{ "data": {}, "marks": [], "value": "HELLERAU – European Centre for the Arts was founded as festival house and academy for musical and rhythmic education according to the visions of Heinrich Tessenow, trailblazer of modern architecture, and music educator Émile Jaques-Dalcroze in 1911. As the first cultural centre in Germany’s first garden city, the legendary edifice drew artists from all over Europe to Hellerau, among them Rilke, Kafka, Diaghilev, Van de Velde, Kokoschka, Gropius, Van der Rohe, Werfel, Busoni, Milhaud, Le Corbusier, Nolde, and Stefan Zweig until 1914. In the 1930s, the building was used as Police school and SS barracks, it was later a Soviet barrack and military hospital. The 1990s saw the houses revival through art. ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Today, HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre, media art and visual arts. HELLERAU offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally.\r", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "The residency apartments are as unique as opportunities for artistic research, production and encounters. Dresden, with its geography at the borders of Poland and the Czech Republic as well as by its history within Germany, occupies an important East-Western hub. Therefore, one important programmatic aspect deals with the role taken by the arts in trans- formational social processes in Eastern Bloc States after 1989. Other topics deal with neighbourhoods, generations, heritage and remembrance as well as with digital transformation and ecological sustainability. Carena Schlewitt has been artistic director since the season 2018/19.", "nodeType": "text" }], "nodeType": "paragraph" }], "nodeType": "document" } }, "image": { "title": "HELLERAU Festival Hall 2019 (Credit: Stephan Floss)", "fluid": { "base64": 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In her work as a director, dramaturg, writer and theatre teacher she focuses on productions in intercultural contexts, community theatre in neighborhoods of Dresden, classroom plays and productions with non-professional performers. She is regularly cooperating with the Bürgerbühne at Staatsschauspiel Dresden. Between 2010 and 2013 she was artistic director of the „European Youth Forum“, a project of the European Theatre Convention (ETC) and Festspiele Bad Hersfeld. From 2010 to 2018 she worked as a jury member for a theatre festival of youth productions throughout Germany. Since 2018 she is the coordinator of “Come As You Are” – an intercultural project of refugee and non-refugee musicians going into Saxon schools." }, "email": null, "links": [{ "title": "Katja Heiser is member of ‚missingdots‘ - performance-company", "url": "https://missingdots.de/" }] }, { "name": "Mustafa Ahaikh Hasan (Safy)", "role": "Architect and Public Interventions", "description": { "description": "Mustafa Ahaikh Hasan studied architecture at the University of Aleppo, at the École Nationale Supérieure d'Architecture de Strasbourg (ENSAS) and at the Technical University in Dresden. He moved to Dresden in 2015 and has since been involved in several art projects during his studies, e.g. for the Deutsches Hygiene-Museum Dresden (exhibition \"Racism. The Invention of Human Races\"), the contemporary art gallery Kunsthaus Dresden, HELLERAU Festival Theatre and the museum Hamburger Bahnhof in Berlin, amongst others together with the artist Raul Walch. Since August 2019 he has been working for the architect office HF Architektur in Dresden." }, "email": null, "links": null }, { "name": "Svea Duwe", "role": "Visual Artist", "description": { "description": "Svea Duwe is a visual artist based in Dresden. Her artistic focus is on installations, performative video works, stagings and sculptural movements in public spaces, creating photographs, drawings, sculptures, and costumes in the process. Svea Duwe studied sculpture at the Alanus University of Arts and Social Sciences in Alfter/Bonn and Fine Arts at the Dresden University of Fine Arts and the Statens Kunst Akademi Oslo. From 2013-2020 she worked as a lecturer for Sculpture-Object-Space and Conceptual and Contextual Artistic Practice in the Department of Art Education at TU-Dresden (Technical University Dresden).\n\nSvea Duwe works as a visual artist in various stage productions, e.g. by missingdots, Bürgerbühne Dresden, farbwerk e.V. or Societaetstheater. Svea Duwe is interested in the ambivalent aspects of our life in „the age of uncertainty“ (Tony Judt). With this thematic focus, she creates artistic works that create new relationships between space, material, movement and viewer." }, "email": null, "links": [{ "title": "Discover more about Svea Duwes work.", "url": "https://sveaduwe.de/" }] }] } }, { "id": "3156afda-92f7-55cd-a42b-03baf1b4ea72", "createdAt": "2020-04-15T10:15:50.682Z", "updatedAt": "2020-04-22T11:27:20.966Z", "title": "Moving Borders started with a virtual kick off on 21 March 2020 ", "description": { "description": "Kick-off Moving Borders" }, "body": { "json": { "data": {}, "content": [{ "data": { "target": { "metadata": { "tags": [] }, "sys": { "space": { "sys": { "type": "Link", "linkType": "Space", "id": "c818239o4u2km", "contentful_id": "818239o4u2km" } }, "id": "c5Xy7P658As0PAwazgbgQyb", "type": "Asset", "createdAt": "2020-04-15T11:14:13.503Z", "updatedAt": "2020-04-15T11:14:13.503Z", "environment": { "sys": { "id": "master", "type": "Link", "linkType": "Environment", "contentful_id": "master" } }, "revision": 1, "contentful_id": "5Xy7P658As0PAwazgbgQyb" }, "fields": { "title": { "en-US": "Virtual kick-off with over 20 video screens" }, "file": { "en-US": { "url": "/images/818239o4u2km/5Xy7P658As0PAwazgbgQyb/6f2ab8da7a5e92a9b3de5b8613dce243/Bildschirmfoto_2020-03-21_um_15.01.52.png", "details": { "size": 1050238, "image": { "width": 1367, "height": 765 } }, "fileName": "Bildschirmfoto 2020-03-21 um 15.01.52.png", "contentType": "image/png" } } } } }, "content": [], "nodeType": "embedded-asset-block" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Instead of meeting in the beautiful building of HELLERAU, we had to move the kick-off meeting for Moving Borders to the digital sphere and meet virtually from our homes. The artistic leaders, dramaturgs and collaborators of seven partner organisations and members of Quarantine’s ensemble were occupying sofas, desks and dining tables and kept thoughts and concepts moving across Europe. The meeting was a fruitful exchange: We were sharing ideas and making plans for live encounters with audiences and citizens in seven cities in six countries moving across borders of all kinds.", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "", "nodeType": "text" }], "nodeType": "paragraph" }, { "nodeType": "heading-2", "content": [{ "nodeType": "text", "value": "What are the next steps?", "marks": [], "data": {} }], "data": {} }, { "nodeType": "paragraph", "content": [{ "nodeType": "text", "value": "During the upcoming months, every partner will develop their own concept for ARK further, searching for a suitable location in their city, finding communities to work with, identifying the borders that intersect our daily lives... And as long as travelling in Europe is not possible, Quarantine will discover the individual cities via the internet and contribute to the process through digital meetings. We are looking forward to this shared journey!", "marks": [], "data": {} }], "data": {} }], "nodeType": "document" } }, "institution": { "id": "678a6502-4b39-5a6b-8638-967e7d9398bf", "title": "HELLERAU – European Centre for the Arts", "city": "Dresden", "slug": "dresden", "description": { "json": { "data": {}, "content": [{ "data": {}, "content": [{ "data": {}, "marks": [], "value": "HELLERAU – European Centre for the Arts was founded as festival house and academy for musical and rhythmic education according to the visions of Heinrich Tessenow, trailblazer of modern architecture, and music educator Émile Jaques-Dalcroze in 1911. As the first cultural centre in Germany’s first garden city, the legendary edifice drew artists from all over Europe to Hellerau, among them Rilke, Kafka, Diaghilev, Van de Velde, Kokoschka, Gropius, Van der Rohe, Werfel, Busoni, Milhaud, Le Corbusier, Nolde, and Stefan Zweig until 1914. In the 1930s, the building was used as Police school and SS barracks, it was later a Soviet barrack and military hospital. The 1990s saw the houses revival through art. ", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "Today, HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre, media art and visual arts. HELLERAU offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally.\r", "nodeType": "text" }], "nodeType": "paragraph" }, { "data": {}, "content": [{ "data": {}, "marks": [], "value": "The residency apartments are as unique as opportunities for artistic research, production and encounters. Dresden, with its geography at the borders of Poland and the Czech Republic as well as by its history within Germany, occupies an important East-Western hub. 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Carena Schlewitt has been artistic director since the season 2018/19.", "nodeType": "text" }], "nodeType": "paragraph" }], "nodeType": "document" } }, "image": { "title": "HELLERAU Festival Hall 2019 (Credit: Stephan Floss)", "fluid": { "base64": 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In her work as a director, dramaturg, writer and theatre teacher she focuses on productions in intercultural contexts, community theatre in neighborhoods of Dresden, classroom plays and productions with non-professional performers. She is regularly cooperating with the Bürgerbühne at Staatsschauspiel Dresden. Between 2010 and 2013 she was artistic director of the „European Youth Forum“, a project of the European Theatre Convention (ETC) and Festspiele Bad Hersfeld. From 2010 to 2018 she worked as a jury member for a theatre festival of youth productions throughout Germany. Since 2018 she is the coordinator of “Come As You Are” – an intercultural project of refugee and non-refugee musicians going into Saxon schools." }, "email": null, "links": [{ "title": "Katja Heiser is member of ‚missingdots‘ - performance-company", "url": "https://missingdots.de/" }] }, { "name": "Mustafa Ahaikh Hasan (Safy)", "role": "Architect and Public Interventions", "description": { "description": "Mustafa Ahaikh Hasan studied architecture at the University of Aleppo, at the École Nationale Supérieure d'Architecture de Strasbourg (ENSAS) and at the Technical University in Dresden. He moved to Dresden in 2015 and has since been involved in several art projects during his studies, e.g. for the Deutsches Hygiene-Museum Dresden (exhibition \"Racism. The Invention of Human Races\"), the contemporary art gallery Kunsthaus Dresden, HELLERAU Festival Theatre and the museum Hamburger Bahnhof in Berlin, amongst others together with the artist Raul Walch. Since August 2019 he has been working for the architect office HF Architektur in Dresden." }, "email": null, "links": null }, { "name": "Svea Duwe", "role": "Visual Artist", "description": { "description": "Svea Duwe is a visual artist based in Dresden. Her artistic focus is on installations, performative video works, stagings and sculptural movements in public spaces, creating photographs, drawings, sculptures, and costumes in the process. Svea Duwe studied sculpture at the Alanus University of Arts and Social Sciences in Alfter/Bonn and Fine Arts at the Dresden University of Fine Arts and the Statens Kunst Akademi Oslo. From 2013-2020 she worked as a lecturer for Sculpture-Object-Space and Conceptual and Contextual Artistic Practice in the Department of Art Education at TU-Dresden (Technical University Dresden).\n\nSvea Duwe works as a visual artist in various stage productions, e.g. by missingdots, Bürgerbühne Dresden, farbwerk e.V. or Societaetstheater. Svea Duwe is interested in the ambivalent aspects of our life in „the age of uncertainty“ (Tony Judt). With this thematic focus, she creates artistic works that create new relationships between space, material, movement and viewer." }, "email": null, "links": [{ "title": "Discover more about Svea Duwes work.", "url": "https://sveaduwe.de/" }] }] } }] }, "allContentfulPostImage": { "nodes": [] }, "allContentfulPostLink": { "nodes": [] }, "allContentfulPostText": { "nodes": [] } }, "pageContext": { "institutionId": "678a6502-4b39-5a6b-8638-967e7d9398bf" } } }